Summary

Portrait of Willa Cather Willa Cather,  The Troll Garden — Flavia and Her Artists (1905)

“ M. Emile Roux, who sat at Flavia's right, was a man in middle life and quite bald, clearly without personal vanity, though his publishers preferred to circulate only those of his portraits taken in his ambrosial youth. Imogen was considerably shocked at his unlikeness to the slender, black-stocked Rolla he had looked at twenty. He had declined into the florid, settled heaviness of indifference and approaching age. There was, however, a certain look of durability and solidity about him; the look of a man who has earned the right to be fat and bald, and even silent at dinner if he chooses. ”
Source: Wikisource

Portrait of Willa Cather Willa Cather,  The Troll Garden — Flavia and Her Artists (1905)

“ It has perplexed even Emil Roux, that merciless dissector of egoism. She has puzzled him the more because he saw at a glance what some of them do not perceive at once, and what will be mercifully concealed from Arthur until the trump sounds; namely, that all Flavia's artists have done or ever will do means exactly as much to her as a symphony means to an oyster; that there is no bridge by which the significance of any work of art could be conveyed to her."
"Then, in the name of goodness, why does she bother?" gasped Imogen. "She is pretty, wealthy, well-established; why should she bother?"
”
Source: Wikisource

Portrait of Willa Cather Willa Cather,  The Troll Garden — Flavia and Her Artists (1905)

“ Why this point, as you call it, simply is Flavia. Who could conceive of her without it? I don't know where it's all going to end, I'm sure, and I'm equally sure that, if it were not for Arthur, I shouldn't care," declared Miss Broadwood, drawing her shoulders together.
"But will it end at all, now?"
"Such an absurd state of things can't go on indefinitely. A man isn't going to see his wife make a guy of herself forever, is he? Chaos has already begun in the servants' quarters.
”
Source: Wikisource

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