Summary

William E. Garstin The Empire and the century — The Longest River in the World (1905)

The channel of the Nile is much broken by rocks and islands, and the rapids follow one another in constant succession. Both banks are fringed with a dense belt of bush and high reeds. Looking down any one of these reaches, the tumbling, indigo-coloured water, streaked with foamy threads of white, the purple background of hill and mountain, the sombre greens of the forests and the lighter tints of the reeds, with the brilliant blue of the sky overhead, present a combination of wild river scenery not often to be met with, and not easily to be forgotten.
Source: Wikisource

William E. Garstin The Empire and the century — The Longest River in the World (1905)

Again, as the sun sets, particularly during the rainy season, when the western sky is ablaze with orange and crimson, and the water reflects the colours of a fire-opal—the glare below being separated from the paler tints of turquoise in the sky above by bands of claret-coloured or purple clouds—a glamour is cast over the melancholy marsh-land, which temporarily obliterates the repulsiveness of its general aspect.
Source: Wikisource

William E. Garstin The Empire and the century — The Longest River in the World (1905)

At night, when the moon is at the full, the enchantment is even more potent As she rises above the mists, a soft golden light is diffused all around, and against the radiancy of this glow the reeds and tall grasses stand out in strong and dark relief, each delicate thread of the papyrus fronds being distinctly traceable. To add to the magical effect, glittering points of light like tiny stars flit about in all directions through the reeds, marking the path of the fireflies, and deepening the gloom of the background.
Source: Wikisource

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