Summary

Portrait of William F. Howe William F. Howe Danger! A True History of a Great City's Wiles and Temptations

Is it a shame for us to acknowledge that the holy bonds of matrimony have united us with a being—the mother of our offspring? Would you deny that you were the husband of a lady, placed upon the witness stand to support a charge against a thief for having stolen your watch? Why, I think, gentlemen, that honor, affection, duty and every obligation known to society, demands, in imperious tones, that instead of denying the wife of your bosom, you stand forward as her champion and say, "Thank God, she is my wife and I am proud of it!"
Source: Gutenberg

Portrait of William F. Howe William F. Howe Danger! A True History of a Great City's Wiles and Temptations

Since the time when Mary Rogers, the beautiful cigar girl of Broadway, met her sad fate over in Hoboken, the pretty shop girls of New York have contributed more than their full quota to the city's contemporaneous history. They have figured in connection with many of its social romances and domestic infelicities, as well as with its scandals and its crimes—secret and revealed. In Gotham's grave and gay aspects—in its comedy, its tragedy, and its melo-drama, we are perpetually running across the charming face, graceful form, and easy, gay demeanor of the pretty shop girl.
Source: Gutenberg

Portrait of William F. Howe William F. Howe Danger! A True History of a Great City's Wiles and Temptations

We are told that "all the world loves a lover," and it is, perhaps, equally true that most people like to read the details of clever detective exploits. The deeds of criminals naturally awaken the emotions of horror, fear, curiosity and awe in proportion to their heinousness and the mystery by which they are enveloped. Consequently the detective officer who pierces the mystery—unravels it thread by thread, and by unerring sagacity penetrates its innermost depths and lays his hand on the criminal—is at once invested, in the popular mind, with qualities approaching the preternatural.
Source: Gutenberg

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