William Pember Reeves

William Pember Reeves

Summary

Portrait of William Pember Reeves William Pember Reeves New Zealand

Just as a burning forest is a magnificent scene with a dismal sequel, so the saw-miller’s industry, though it finds a paradise and leaves a rubbish-yard, is, while it goes on, a picturesque business. Like many forms of destruction, it lends itself to the exertion of boldness, strength, and skill. The mill itself is probably too primitive to be exactly ugly, and the complicated machinery is interesting when in action, albeit its noises, which at a distance blend into a humming vibration, rise near at hand to tearing and rending, clattering and howling.
Source: Gutenberg

Portrait of William Pember Reeves William Pember Reeves New Zealand

Now and again, in dry, windy summers, the forest turns upon its destroyers and takes revenge. Dying, it involves their works and possessions in its own fiery death. A bush-fire is a fine sight when seen on windy nights, burning whole hill-sides, crawling slowly to windward, or rushing with the wind in leaping tongues and flakes that fly above the tree-tops. The roar, as of a mighty gale, the spouting and whirling of golden sparks, the hissing of sap and resin, and the glowing heat that may be felt a mile away, join grandly in furious energy.
Source: Gutenberg

Portrait of William Pember Reeves William Pember Reeves New Zealand

The soft air is full of sunshine, tempered by the ocean haze, and in it groves of karaka-trees, with their large polished leaves and gleaming fruit, flourish as they flourish nowhere else. Neither too hot nor cold, neither large nor impossibly small—they are about two and a half times the size of the Isle of Wight,—the Chathams, one would think, should have nothing in their story but pleasantness and peace. And, as far as we know, the lot of their old inhabitants, the Moriori, was for centuries marked neither by bloodshed nor dire disaster.
Source: Gutenberg

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