Summary

Portrait of William Pember Reeves William Pember Reeves The Long White Cloud: "Ao Tea Roa"

The Australian woods, too, are park-like: their trees, though interesting, and by no means without charm, have a strong family likeness. Their prevailing colours are yellow, brown, light green, and grey. Light and heat penetrate them everywhere.
The cool, noiseless forests of New Zealand are deep jungles, giant thickets, like those tropic labyrinths where traveller and hunter have to cut their path through tangled bushes and interlacing creepers. Their general hue is not light but dark green, relieved, it is true, by soft fern fronds, light-tinted shrubs, and crimson or snow-white flowers.
Source: Gutenberg

Portrait of William Pember Reeves William Pember Reeves The Long White Cloud: "Ao Tea Roa"

At the top of Arthur's Pass you are among the high Alps. The road winds over huge boulders covered with lichen, or half hidden by koromiko, ferns, green moss, and stunted beeches, grey-bearded and wind-beaten. Here and there among the stones are spread the large, smooth, oval leaves and white gold-bearing cups of the shepherd's lily. The glaciers, snowfields, and cliffs of Mount Rolleston lie on the left. Everything drips with icy water. Suddenly the saddle is passed and the road plunges down into a deep gulf. It is the Otira Gorge. Nothing elsewhere is very like it.
Source: Gutenberg

Portrait of William Pember Reeves William Pember Reeves The Long White Cloud: "Ao Tea Roa"

The seamy side of Maori life, as of all savage life, was patent to the most unimaginative observer. The traveller found it not easy to dwell on the dignity, poetry and bravery of a race which contemned washing, and lived, for the most part, in noisome hovels. A chief might be an orator and skilled captain, but, squatting on the ground, smeared with oil, daubed with red ochre and grimly tattooed, he probably impressed the white visitor chiefly as an example of dirt and covetousness.
Source: Gutenberg

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