William Pinkerton

Once a Week (1863)

Summary

William Pinkerton,  Once a Week (1863)

“ If there was one place of amusement—an institution it may be termed—more sacred than another to Londoners in particular, and provincialists in general, one, more presumably probable to have withstood the changes of time and fashion, less likely to have succumbed to a novel and not very classical style of dramatic entertainment; that place most certainly was Astley’s. For though the remodelled theatre in Westminster Bridge Road is still associated with the name of its founder, yet an Astley’s without horses is as yet simply a misnomer, a shadow without a substance. ”
Source: Wikisource

William Pinkerton,  Once a Week (1863)

“ However strange to our minds may be the idea of the great discoverer sailing round the world, and wooing the dusky maids of ocean isles, mounted on a white charger, the piece was most successful, forming a very important step in the ladder by which the quondam sergeant-major rose to fame and fortune. And when it had nearly run out in London, Astley, with the energy of a soldier, carried it—men, horses, and properties—over to Dublin, thus reaping a second golden harvest from what may not be inaptly termed his horse-marine entertainment. ”
Source: Wikisource

William Pinkerton,  Once a Week (1863)

“ Indeed, as an accompaniment to equestrian exercises, Astley always considered that loudness was the most desirable quality in music. And though he overtook care to have an excellent band, with a well-qualified leader, he, nevertheless, considered them more as an indispensable drain on the treasury, than a useful auxiliary to the performances. “Any fool,” he used invariably to say, “can handle a fiddle, but it takes a man to manage a horse; and yet I have to pay a fellow that plays upon one fiddle as much salary as a man that rides upon three horses.” ”
Source: Wikisource

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