Zona Gale

Zona Gale

Summary

Portrait of Zona Gale Zona Gale Arpeggio Courts (1917)

Mrs. Granger was leading. In the background was a dull assortment of Bards and Cordys. Blooming between these and her mother came Edith Granger.
She was in some exquisitely colored cotton which Arpeggio would have called calico. A wide hat shaded her face, half hid her treasure of bright hair. She was white-gloved, and at once, behind her mother, she advanced to the commissioners and put out her hand. So did the other women. And each commissioner, rubbing his hand first on his coat, shook hands.
Stack Mayhew was distinctly the beau of the occasion.
Source: Wikisource

Portrait of Zona Gale Zona Gale Arpeggio Courts (1917)

Arpeggio came home. There is nothing sweeter, nothing more fundamental than the delight with which a man shows the garden of his hand. In nothing else, save when a man or a woman exhibits a baby, is there such obvious coordination between the human being and great nature.
Source: Wikisource

Portrait of Zona Gale Zona Gale Arpeggio Courts (1917)

What a universe! what a universe! So complex that a gentleman cannot even take a siesta without involving a lady whom he has never before seen. Arpeggio studied this lady.
"Are you the help?" he inquired, delicately.
"Help yourself!" She flashed it back. "I'm a trained one—from a agency."
For some unknown cause, Arpeggio brought out his rare, his beguiling smile, and smiled it, and continued to regard her.
"Perhaps," he said, "I'd better tell you who I am. I'm Shadd, one of the Banning commissioners. I called to see your mistress on the idear of a new town liberary."
Source: Wikisource

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