Zona Gale

Zona Gale

Summary

Portrait of Zona Gale Zona Gale Arpeggio and Patriotism (1918)

But just look at the rest of them. Every little old up-and-coming worker in the city is here. Isn't it splim?"
The sophomoric, the superstressing, Arpeggio missed. But he looked and listened dumbly. Here was Miss Fleda Barnett acting like a chorus-girl and talking not unlike one, as to phrasing. And yet she was feeling something about the meeting of commissioners from which this commissioner was hopelessly remote. Old standards danced, as if they were being delicately weighed—but by what scale?
"Oh, Mr. Bayliss!" said Edith Granger.
Source: Wikisource

Portrait of Zona Gale Zona Gale Arpeggio and Patriotism (1918)

Arpeggio laughed enjoyably. Quite a nice come-back, the lady had, it seemed.
"What's the matter with Banning?" she pursued. "How many people has it?"
"Five thousand six hundred and one," replied Arpeggio—he could tell you all the physical statistics of his town. "And you can bet the folks are all right, too," he added. "They're just Old Business, every one of 'em. But the town! Slow? Say!"
Mrs. Ebens touched at her pâte, at the stem of her glass, and finally gave her whole attention to Arpeggio.
Source: Wikisource

Portrait of Zona Gale Zona Gale Arpeggio and Patriotism (1918)

There couldn't none of 'em take in A. Shadd, if it come to any factory-site proposition. He dreamed a dream of securing a colossal factory for Banning, and this at signal terms, and under the very noses of Stack and Dodd, the practical—
"Look," said Bayliss, as if the great man knew that Arpeggio's attention had wandered.
On the screen stood a noble building—simple, small, but really noble. Not Greek, not ancient, not imported at all. "Banning as Yet Unrealized," the caption said, and "A Possible City Hall."
Source: Wikisource

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