Summary

active 6th century B.C. Sunzi Sun Tzŭ on the Art of War: The Oldest Military Treatise in the World (1910)

Now Sun Tzŭ says nothing whatever, except possibly by implication, about ill-considered haste being better than ingenious but lengthy operations. What he does say is something much more guarded, namely that, while speed may sometimes be injudicious, tardiness can never be anything but foolish—if only because it means impoverishment to the nation. Capt. Calthrop indulges his imagination with the following: “Therefore it is acknowledged that war cannot be too short in duration. But though conducted with the utmost art, if long continuing, misfortunes do always appear.”
Source: Gutenberg

active 6th century B.C. Sunzi Sun Tzŭ on the Art of War: The Oldest Military Treatise in the World (1910)

Again, Sun Wu loved brevity of diction, but his meaning is always deep. Whether the subject be marching an army, or handling soldiers, or estimating the enemy, or controlling the forces of victory, it is always systematically treated; the sayings are bound together in strict logical sequence, though this has been obscured by commentators who have probably failed to grasp their meaning. In his own commentary, Mei Shêng-yü has brushed aside all the obstinate prejudices of these critics, and has tried to bring out the true meaning of Sun Tzŭ himself.
Source: Gutenberg

active 6th century B.C. Sunzi Sun Tzŭ on the Art of War: The Oldest Military Treatise in the World (1910)

No less remarkable is the succession of illustrious captains to whom China can point with pride. As in all countries, the greatest are found emerging at the most fateful crises of her history. Thus, Po Ch‘i stands out conspicuous in the period when Ch‘in was entering upon her final struggle with the remaining independent states. The stormy years which followed the break-up of the Ch‘in dynasty are illumined by the transcendent genius of Han Hsin. When the House of Han in turn is tottering to its fall, the great and baleful figure of Ts‘ao Ts‘ao dominates the scene.
Source: Gutenberg

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