Summary

by Richard Heath Littell's Living Age — Volume 159…

Men, women, children — of all lands, nations, and tongues — were in full activity. The shipwrights' hammers, the creaking of the cranes, the seamen's oaths, the squabbles of the market-place, the gabbling in the schools, the clatter of the sleighs, the chaffering, badgering, bullying, the slave-driving going on without a moment's cessation upon all the' quays, in every warehouse and from every street, proclaimed Amsterdam the mart of the world, the centre of its business.
Source: Wikisource

by Richard Heath Littell's Living Age — Volume 159…

High above the city rose numerous quaint steeples and yet more ancient towers, and Amsterdam's Italian prototype could never have presented a more bewitching picture than when on one of those marvellous nights, not infrequent in Holland, the moon lit up the scene with a light whiter, purer than that of electricity, and of a living beauty the very reverse of electricity's ghastly glare.
Source: Wikisource

by Richard Heath Littell's Living Age — Volume 159…

The free multiform life of Amsterdam, full of color and poetry, had many attractions for painters. Hither Rembrandt came, in 1630, and fixed himself near the Jews' quarter. Here were heaped treasures which had adorned the Cleopatras and the Messalinas of the ancient world, the spoils which Crusaders had carried home from Syria, and the Venetians from Constantinople, together with all kinds of strange and curious things which the bold seamen of Holland had brought from the four quarters of the globe.
Source: Wikisource

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