various contributors, Punch, Volume 147 — July 15th, 1914… (19th and 20th century)
“ But nothing matters much while one can go and see the wonderful, wonderful Kamtchatkans in "Noé s'embarque sur l'Arche"—a feast of beauty—a riot of colour—a mass of inner meanings. Who am I, dearest, that I should try to word-paint it? Being an opera-ballet, there are two Noahs, a singing one and a dancing one. While that glorious Golliookin, the singing Noah, is giving the marvellous Flood Music in a gallery over the stage, our dear wonderful Ternitenky, the dancing Noah, is going into the Ark in a series of the most delicious pas seuls. ”
