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Summary

various contributors Punch, Volume 147 — July 15th, 1914… (19th and 20th century)

But nothing matters much while one can go and see the wonderful, wonderful Kamtchatkans in "Noé s'embarque sur l'Arche"—a feast of beauty—a riot of colour—a mass of inner meanings. Who am I, dearest, that I should try to word-paint it? Being an opera-ballet, there are two Noahs, a singing one and a dancing one. While that glorious Golliookin, the singing Noah, is giving the marvellous Flood Music in a gallery over the stage, our dear wonderful Ternitenky, the dancing Noah, is going into the Ark in a series of the most delicious pas seuls.
Source: Wikisource

various contributors Punch, Volume 147 — July 15th, 1914… (19th and 20th century)

Sylvia Saxon is not a pleasant book. It is hard, more than a little bitter, and deliberately unsympathetic in treatment. But it is grimly real. Sylvia herself is a character that lives, and her mother, Rachel, almost eclipses her in this same quality of tragic vitality. The whole tale is a tragedy of empty and meaningless lives passed in an atmosphere of too much money and too little significance.
Source: Wikisource

various contributors Punch, Volume 147 — July 15th, 1914… (19th and 20th century)

House of Commons, Monday, July 6.—All heads were bared when the Prime Minister rose to move adjournment of House in sign of sorrow at the passing away of a great Parliament man. To vast majority of present House Joseph Chamberlain is a tradition. His personal presence, its commanding force, its varied and invariable attraction are unknown. Since his final re-election by faithful Birmingham, where, like the Shunamite woman, he dwelt among his own people loving and loved, he only once entered the House.
Source: Wikisource

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