Diana of the Crossways

Definition and stakes

Portrait of George Meredith George Meredith Diana of the Crossways (1885)

Only those who read her woman's blood and character with the head, will care for Diana of the Crossways now that the knot of her history has been unravelled. Some little love they must have for her likewise: and how it can be quickened on behalf of a woman who never sentimentalizes publicly, and has no dolly-dolly compliance, and muses on actual life, and fatigues with the exercise of brains, and is in sooth an alien: a princess of her kind and time, but a foreign one, speaking a language distinct from the mercantile, trafficking in ideas:—this is the problem.
Source: Wikisource

Portrait of George Meredith George Meredith Diana of the Crossways — Complete

To this extent she used her unerring brains, more openly than on her night of debate at The Crossways. The next moment she was off in vapour, meditating grandly on her independence of her sex and the passions. Love! she did not know it, she was not acquainted with either the criminal or the domestic God, and persuaded herself that she never could be. She was a Diana of coldness, preferring friendship; she could be the friend of men. There was another who could be the friend of women. Her heart leapt to Redworth.
Source: Gutenberg

Portrait of George Meredith George Meredith Diana of the Crossways (1885)

Redworth took the definite order for a large supply of wine.
She gave him her hand: a lost hand, dear to hold, needing to be guided, he feared. For him, it was merely a hand, cut off from the wrist; and he had performed that executive part! A wiser man would now have been the lord of it . . . . So he felt, with his burning wish to protect and cherish the beloved woman, while saying: 'If we find a speedy bidder for The Crossways, you will have to thank our railways.'
'You!' said Diana, confident in his ability to do every-thing of the practical kind.
Source: Wikisource

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