Diego Velázquez de Cuéllar

Definition and stakes

S. L. Bensusan Velazquez

If science and art are destined, as some altruists hope, to unite the world in a bond that defies the arbitrary boundaries made by rulers, then the name of Diego de Silva Velazquez will stand high in the list of those whom the world delights to honour, for people who are opposed diametrically on all questions of politics and faith find ground upon which they may meet in security and amity when they stand before the pictures of the great Spanish master.
Source: Gutenberg

James Fitzmaurice-Kelly A History of Spanish Literature

Menéndez y Pelayo even compares him to Quevedo.
Another man of Portuguese birth has won immortality outside of literature; yet there is ground for thinking that [337] Diego Rodríguez de Silva y Velázquez (1599-1660) had the sense for language as for paint. His Memoria de las Pinturas (1658) exists in an unique copy published at Rome under the name of his pupil, Juan de Alfaro, though its substance is unscrupulously embodied in Francisco de los Santos' Descripción Breve of the Escorial. Formally, it is a catalogue; substantially, it expresses the artist's judgment on his great predecessors.
Source: Gutenberg

Portrait of Hubert Howe Bancroft Hubert Howe Bancroft History of Mexico (1882)

The most devoted adherent of Velazquez, although not bound to him by ties of relationship, was his ancient mayordomo mayor, Diego de Ordaz, [8] a powerful man, of large stature, with full face, thin, dark beard, and stuttering speech. As a leader of footsoldiers, for he did not ride, he gained the reputation of possessing great daring, as well as a good head; and among comrades he ranked as a liberal man and a conversationalist. Of the other captains, Francisco de Salcedo, reputed chief butler to the admiral of Castile, bore the sobriquet of 'Dandy' from his spruce manner
Source: Wikisource

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