Emmy Lou

Definition and stakes

Portrait of George Madden Martin George Madden Martin,  Emmy Lou: Her Book and Heart

“ Miss Lizzie was the Ogress, and the lady was the Princess—the captive Princess—waiting at the window for release.
And so one played one’s part. And so Emmy Lou and Rosalie moved and lived and dreamed in the glamour and the world of the Green and Gold Book.
It stayed in one’s desk—sometimes with Alice, or with Amanthus, sometimes with Rosalie. To-day it was with Emmy Lou.
One never read in school. But at recess, on the steps outside the big door, one read aloud in turn while the others ate their apples. And Hattie came, too, when she liked, and Sadie.
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Source: Gutenberg

Portrait of George Madden Martin George Madden Martin,  Emmy Lou: Her Book and Heart

“ The little boy was nodding and beckoning. So far the seventy had left Emmy Lou alone. As a general thing the herd crowds toward the leaders, and the laggard brings up the rear alone.
But to-day the little boy was beckoning. Emmy Lou looked up. Emmy Lou was pink-cheeked and chubby and in her heart there was no guile. There was an ease and swagger about the little boy. And he always knew when to stand up, and what for. Emmy Lou more than once had failed to stand up, and Miss Clara’s reminder had been sharp. It was when a bell rang one must stand up.
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Source: Gutenberg

Portrait of George Madden Martin George Madden Martin,  Emmy Lou's Road to Grace: Being a Little Pilgrim's Progress

“ She takes it without question that Emmy Lou has been dreaming.
"It is what comes of being a naughty little girl again. We never sleep well when our conscience is uneasy."
Emmy Lou lay close. Conscience! Aunt Cordelia said so!
Nor did Aunt Cordelia dream, nor Emmy Lou suspect, that the monstrous, looming shape padding along the silent street beyond the open window with its broad sill was the circus elephant making his way to the railroad yard and his traveling car, the yard where the roundhouse bell even now made melancholy tolling in the night.
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Source: Gutenberg

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