Various, The Atlantic Monthly, Volume 14…
“ Our poet never strays from Nature; which has for him two sides,—the old duality, which is also forever,—the real and the ideal. To the one he brings the most patient fidelity of study; the other he reflects in every part of his poems in glowing imagery. "Enoch Arden" contains scenes which a Pre-Raphaelite might draw from,—as that "cup-like hollow in the down" which held the hazel-wood, with the children nutting through its reluctant boughs, or the fireside of Philip, on which Enoch looked and was desolate. ”
