Georg Philipp Telemann

Definition and stakes

Portrait of Romain Rolland Romain Rolland,  A musical tour through the land of the past

“ So powerful was the tide of the new musical fashion!
For that matter, Telemann knew how to profit by his luck and how to enable others to profit by it. There was nothing of the intriguer about him; and we cannot even say that it was ambition that urged him to accept all the posts which he secured during his long career; it was an extraordinary activity and a feverish need of exercising it. At Leipzig he worked assiduously, taking Kuhnau for his model in the matter of fugues [3] and perfecting himself in melody by working in collaboration with Händel.
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Source: Wikisource

Portrait of Romain Rolland Romain Rolland,  A musical tour through the land of the past

“ This touching narrative, which is permeated by a sorrowful faith, makes us feel that Telemann, too, as he tells us, "became, at Eisenach, another man, in Christ." But, however deep the wound, his temperament was too active and too versatile to allow him to shut himself up with his regrets; three years later the inconsolable husband was married again to a wife who was to prove in every respect a contrast to his first.
He had left Eisenach. Despite his excellent situation at Court, his longing for change impelled him to accept, in 1712, the proposals which reached him from Frankfort-on-Maine.
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Source: Wikisource

Portrait of Romain Rolland Romain Rolland,  A musical tour through the land of the past

“ In 1721 he left Frankfort for Hamburg, where he was appointed Kappellmeister and Cantor at the Johanneum. The nomadic musician was at length to form a lasting connection, a post which he retained until his death, nearly half a century later. Then, in 1723, he was on the point of migrating again, to act as successor to Kuhnau, who had at last died at Leipzig. He had been chosen unanimously, but Hamburg, rather than lose him, accepted all the conditions that Telemann imposed. ”
Source: Wikisource

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