Madame Guyon

Definition and stakes

Portrait of Elbert Hubbard Elbert Hubbard Little Journeys to the Homes of the Great - Volume 13

Madame Guyon was a woman of intellect, damned with a dower of beauty; sensitive, alert, possessing an impetuous nature that endeavored to find its gratification in religion. Born into a rich family, and marrying a rich man, unkind Fate gave her time for introspection, and her mind became morbid through lack of employment for her hands.
Source: Gutenberg

Portrait of Robert Alfred Vaughan Robert Alfred Vaughan Hours with the Mystics: A Contribution to the History of Religious Opinion (1893)

With Madame Guyon, the events of Providence are God, and the decisions of the sanctified judgment respecting them are nothing less than the immediate voice of God in the soul. She compares the nature thus at rest in God to a tablet on which the divine hand writes,—it must be held perfectly still, else the characters traced there will be distorted or incomplete. In her very humility she verges on the audacity which arrogates inspiration. If she, passive and helpless, really acts no more, the impulses she feels, her words, her actions, must all bear the impress of an infallible divine sanction.
Source: Gutenberg

Portrait of Elbert Hubbard Elbert Hubbard Little Journeys to the Homes of the Great - Volume 13

It will be seen, from these frank outpourings of the heart, that Madame Guyon was suffering from an overwrought sex-nature.
Steeped in superstition, hypersthenia, God to her was a man—her lover.
Her one thought was to do His will. God is her ideal of all that is strong, powerful and farseeing. In her imagination she continually communicates with this all-powerful man. She calls Him "My Love," and occasionally forgetting herself addresses him as "Sir." She evades her husband, and deceives that worthy gentleman into believing she is asleep when she is all the time secretly praying to God.
Source: Gutenberg

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