Hugo P. Thieme

“ It was the age of beauty--a beauty that fascinated and entranced, but the glow of which melted and killed; but this glow also reacted upon them that caused it and they became victims of their own passions--through either jealousy or their own weaknesses. No age was ever more luxurious, pompous, elegant, brilliant, and wanton, yet beneath all the glitter there were much misery and bitter repentance; amongst the violent wickedness there were noble and pure women such as Elizabeth of Austria and Louise de Vaudemont. ”

“ Mme. de Lamballe, who wrote nothing, did nothing, effected nothing, is better known to the world at large, is more respected and honored, than is Mme. de Polignac or even the great salon leaders such as Mme. de Genlis or Mlle. de Lespinasse. She owes this prominence to her undying devotion to her queen, to her marvellous beauty, and to her tragic death on the guillotine. She was not even bright or witty, the essentials of greatness among French women—not one bon mot has survived her; but she may well be placed by the side of her queen for one sublime virtue, too rare in those days,—chastity. ”

“ Michelet calls her a nonentity, a stage queen with merely the externals--the attire--of royalty, remaining exactly on a level with the rulers of the smaller Italian principalities, contriving everything and fearing everything, with no more heart than she had sense or temperament. Being a female, she loved her young; she loved the arts, but cared to cultivate only their externalities. In this, however, Michelet goes to an extreme; for no woman ever lived who had so great a talent for intrigues and politics as she--a very type of the deceit and cunning which were inherent in her race. ”

“ No other French novelist has been able to "express in words the lights and shades, harmonies and contrasts, the magic of sounds, the symphonies of color, the depth and distances of the woods, the infinite movement of the sea and the sky—the interior soul of Nature, that vibrates in everything and everybody." With Lamartine and Michelet, she has best reflected and expressed the dreams and hopes and loves of the first half of the nineteenth century. ”

“ Louise de Vaudemont was indeed a bright star in a heaven of darkness--one of the best queens of whom French history can boast; she is an example of goodness and gentleness, of purity, charity, and fidelity in a world of corruption, cruelty, hatred, and debauch--where sympathy was rare and chastity was ridiculed. Although a highly educated woman, the faithful performance of her duties as queen and as a devout Catholic left her little time for literature and art; she remains the type of piety and purity--an ideal queen and woman. ”

“ In Marguerite d'Angoulême contemporaries admired prudence, chastity, moderation, piety, an invincible strength of soul, and her habit of "hiding her knowledge instead of displaying it." "In an age wholly depraved, she approached the ideal woman of modern times; in spite of her virtue, she was brilliant and honored, the centre of a coterie that delighted in music, verse, ingenious dialogues and gossip, story telling, singing, rhyming. Deeply afflicted by the sad and odious spectacle of the vices, abuses, and crimes which unroll before her, she suffers through her imagination, mind and heart." ”

“ The very name of Récamier has come to evoke a vision of beauty, a beauty so well known to every lover of art who has visited the Luxembourg and gazed upon the figure "so flexible and elegant, with head well poised, brilliant complexion, little rosy mouth with pearly teeth, black curling hair, soft expressive eyes, and a bearing indicative of indolence and pride, yet with a face beaming with good nature and sympathy." ”

“ Shall I have sentiment except that of dread? What can I hope? Am I worthy of heaven? Am I worthy of hell? Nothing is such madness as to leave one's salvation in uncertainty, but nothing is so natural. The stupid life I lead is the easiest thing in the world to understand; I bury myself in these thoughts and I find death so terrible that I hate life more because it leads me thereto, than because of the thorns with which it is planted. ”

“ She had magnificent chestnut hair, ravishing teeth, and the most delicious smile which "hollowed her cheeks into two dimples which the engraving of La Jardinière shows; she had a medium-sized and round waist, perfect hands, a play of gestures lively and passionate throughout, and, above all, a physiognomy of a mobility, of a changeableness, of a marvellous animation, wherein the soul of the woman passed ceaselessly, and which, constantly in process of change, showed in turn an impassioned and imperious tenderness, a noble seriousness, or roguish graces." ”

“ In November she returned to France, to meet her queen and to suffer death for her sake,—and for this unswerving devotion she has a place in history. She stands out also as the one normal woman in the crowds of impetuous, shallow, petty, and, in many cases, pitifully debauched women of the time. Not majestic greatness, but a direct, unaffected sweetness and consistent goodness entitle her to rank among the great women of France. ”

“ If among these mistresses of the king there were a single one who had enjoyed her shameful triumphs in peace, who had called herself happy in the midst of her dearly bought luxury and splendor, one might have concluded that, from a merely human point of view, it is possible to find happiness in vice. But, no--there is not even one!" Massillon, the great preacher of truth and morality, said: "The worm of conscience is not dead; it is only benumbed. The alienated reason presently returns, bringing with it bitter troubles, gloomy thoughts, and cruel anxieties"--a true picture of every mistress. ”

“ From early youth she manifested an immense goodness, a profound tenderness, and a deep compassion for human misery. She rarely became angry, even though she suffered cruelly. Her own law of life and her message to the world was—be good. The only strong element within her, she said, was the need of loving, which manifested itself under the form of tenderness and emotion, devotion and religious ecstasy; and when this faith was shaken, doubt and social disturbances overwhelmed her.
Throughout life her consolation was Nature. "It was half of her genius and the surest of her inspirations." ”

“ When La Rochefoucauld entered the society of Mme. de Sablé, he had seen much of life, was familiar with most of the adventures and intrigues of the Fronde and the society of the time; he himself had acted his part in all, and at the age of fifty was ready to put his experience into a permanent form of reflection. His Maxims created a stir, through the clearness and elegance of their character, their fine analyses of man as he was in the seventeenth century, and through their truthfulness and general applicability to men of every country. ”

“ Never diminishing in quality or inspiration, there are surprises in every new work.
No doubt George Sand has, for a generation or more, been somewhat forgotten, but what great writer has not shared the same fate? When the materialistic age has passed away, many famous writers of the past will be resurrected, and with them George Sand; for her novels, although written to please and entertain, discuss questions of religion, philosophy, morality, problems of the heart, conscience, and education,—and this is done in such a dramatic way that one feels all to be true. ”

“ Marvellous aptitudes, a scholarly and rare education, had given to this young woman all the gifts and virtues that made of a woman what the eighteenth century called a virtuoso, an accomplished model of the seductions of her time. Jeliotte had taught her singing and the clavecin; Guibaudet, dancing; Crébillon had taught her declamation and the art of diction; the friends of Crébillon had formed her young mind to finesse, to delicacies, to lightness of sentiment, and to irony of the esprit of the time. All the talents of grace seemed to be united in her. No woman mounted a horse better ”

“ Mme. Geoffrin was too practical and had too much good common sense to be vain. The majority of men were influenced by and favored her, and, which seemed strange, she had few enemies among her own sex. Mme. Necker said: "The old age of Mme. Geoffrin is like that of old trees, whose age we know by the space they cover and the quantity of roots they spread. She has seen all the illustrious men of the century; she has discovered, with sagacity, their peculiarities and their defects. She judges them by their conduct, never by their talents." ”

“ Mme. Scarron seeks esteem, not love. To please while remaining virtuous, to endure, if need be, privations and even poverty, but to win the reputation of a strong character, to deserve the sympathy and approbation of honest persons--such is the direction of all her efforts. Well dressed, though very simply; discreet and modest, intelligent and distingué, with that patrician elegance which luxury cannot create, but which is inborn and comes by nature only; pious, with a sincere and gentle piety; less occupied with herself than with others ”

“ In this stilted and amorous atmosphere, Mme. de Maintenon preserved her poise and fought vigorously against the fads of the day. The young girls under her care were taught to love just as they were taught to do other things—with reason. Also, she guarded against the weaknesses of nature and the flesh. "Than Mme. de Maintenon, no one ever better knew the evils of the world without having fallen prey to them," says Sainte-Beuve; "and no one ever satisfied and disgusted the world more, while charming it at the same time." ”

“ Even Richelieu could not, as compensation to him for a favor to her husband, induce her to act as spy on some of the frequenters of her salon.
While not a woman of remarkable beauty, she was the personification of reason and virtue; her unassuming frankness, exquisite tact, and exceptional reserve discouraged all advances on the part of those gallants who frequented every mansion and were always prepared to lay siege to the heart of any fair woman. Her wide culture, versatility, modesty, goodness, fidelity, and disinterestedness caused her to be universally sought. ”

“ The last years of her life she spent with her daughter-in-law, at Auteuil, where she lived a happy life and received the best society of Paris. When she died or under what circumstances is not known. During the Revolution she lived in obscurity, busying herself with charitable work; she was one of the few women of the nobility to escape the guillotine, "This woman, who had kept the intellectual world alive with her esprit and goodness, of a sudden vanishes like a star from the horizon; she lives on, unnoticed by everyone, and, in that new society, no one misses her or regrets her death." ”

“ I wish, to the contrary, that he treat her with gentleness and kindness; and that--above all--he have her brought up in Béarn, and that she shall never leave there until she is old enough to be married to a prince of her own rank and religion, whose morals shall be such that the spouses may live happily together in a good and holy marriage.'" D'Aubigné wrote of her: "A princess with nothing of a woman but sex--with a soul full of everything manly, a mind fit to cope with affairs of moment, and a heart invincible in adversity." ”

“ The two maxims which Mme. Roland followed throughout her career had much to do with her fall: security is the tomb of liberty; indulgence toward men in authority is the means of pushing them to despotism. These maxims as her motto or impulse, united with the spirit of push, energy, and at times rashness and impropriety, naturally led her to her ruin in those days of revolutionary ideas. She was a woman of powerful passion controlled by reason, and with frankness, devotion, courage, and fidelity as forces impelling her to activity. ”

“ Thoroughly to appreciate Marguerite d'Angoulême's position and influence and her contributions to literature, the conditions existing in her epoch must be carefully considered. It was in the sixteenth century that the charms of social life and of conversation as an art were first realized; all questions of the day were treated gracefully, if not deeply; woman began to play an important part, to appear at court, and, by her wit and beauty, to impress man. From the semi-barbaric spirit of the Middle Ages to the Italian and Roman culture of the Renaissance was a tremendous stride ”

“ In the preceding age love was declared, it spoke, it was a virtue of grandeur and generosity, of courage and delicacy, exacting all proofs of decency and gallantry, patient efforts, respect, vows, discretion, and reciprocal affection. The ideal was one of heroism, nobleness, and bravery. In the eighteenth century this ideal became mere desire; love became voluptuousness, which was to be found in art, music, styles, fashions—in everything. Woman herself was nothing more than the embodiment of voluptuousness ”

“ These were years, about 1780 to 1800, during which women shared the same fate with men; and, consigned to the same prisons, ever resigned and ready to die for principle, they knew how to die nobly. It was truly an age of the martyrdom of woman--an age in which she lived, through almost superhuman conditions, at the side of man. She was all-powerful, triumphant as never before; not, however, through her intellectual superiority as in the previous age, but through her courage. There was not one powerful woman standing out alone, but groups of them, hosts of them. ”

“ No woman at court had more friends and fewer enemies than did Mme. de Boufflers, because "she united to the gifts of nature and the culture of esprit an amiable simplicity, charming graces, a goodness, kindness, and sensibility, which made her forget herself always and constantly seek to aid those about her." She made use of her influence over the prince in such ways as would, in a measure, recompense for her fault, and thus recommended herself by her good actions. She was the soul of his salon, "Le Temple." ”

“ Mlle. de Scudéry, in her novel Cyrus, leaves a fine portrait of her:
"The spirit and soul of this marvellous person surpass by far her beauty: the first has no limits in its extent and the other has no equal in its generosity, goodness, justice, and purity. The intellect of Cléomire (Mme. de Rambouillet) is not like that of those whose minds have no brilliancy except that which nature has given them, for she has cultivated it carefully, and I think I can say that there are no belles connaissances that she has not acquired. ”