Pepito

Definition and stakes

Portrait of José Echegaray José Echegaray,  The Great Galeoto; Folly or Saintliness… (1895)

“ Pepito. Well, at least, admit that Teodora was giddy, if not really culpable.
Ernest. Guilt is prudent and cautious. On the other hand, how imprudent is innocence!
Pepito. Look here, if your rule holds good for everybody, the worst of us is an angel or a saint.
Ernest. You are right. What does it matter? What is the weight or value of such calumny? The worst of it is that thought is degraded by mean contact with a mean idea. From force of dwelling upon a crime, the conscience becomes familiar with it. It shows itself terrible and repellent—but it shows itself—at night, in dark solitude!
”
Source: Wikisource

F. S. Brereton,  Roughriders of the Pampas: A Tale of Ranch Life in South America

“ A minute later the aspect of affairs was seen to be even worse, for no sooner had Pepito placed his guards on every side than he himself went to look at the horses, creeping like a snake through the forest as he made for the edge, for to have stood up would have meant to invite a bullet.
"Gone!" he exclaimed, with an exclamation of dismay, as he stared into the open. "Those robbers have been too quick for us. We are cornered, and can never escape."
He crept back to Dudley's side with his tale, and there for some few minutes lay at full length, whispering to him.
”
Source: Gutenberg

Portrait of José Echegaray José Echegaray,  The Great Galeoto; Folly or Saintliness… (1895)

“ Pepito. [Listening.] Somebody is coming.
Mercedes. Is it he?
Pepito. [Going down the stage.] No, 'tis Teodora.
Ernest. Teodora! Teodora! I want to see her.
Mercedes. [Sternly.] Ernest!
Ernest. Yes, I must ask her to forgive me.
Mercedes. You don't remember——
Ernest. I remember everything and understand. We two together! Ah, no. Enough. You need not fear. For her would I shed my blood, lay down my life, sacrifice my future, honour—all! But see her? never. 'Tis no longer possible. The mist of blood has risen between us. [Goes out on the left.]
SCENE V.
Doña Mercedes and Pepito.
”
Source: Wikisource

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