Reinhardt

Definition and stakes

Portrait of Albert Bigelow Paine Albert Bigelow Paine,  Life and Lillian Gish

“ I did not meet Reinhardt until he was in California, with ‘The Miracle.’ With Rudolph Kommer and Karl von Mueller he came out to our Santa Monica house, for luncheon. Before luncheon we went to the studio and ran, I think, ‘Broken Blossoms.’ Then, in the afternoon, ‘La Bohême’ and ‘The Scarlet Letter.’ They seemed to please him. He spoke no English, and I spoke no German, at the time. Kommer served as interpreter. It was then that Reinhardt suggested that we might work together. He had never made a picture, but was eager to try. ”
Source: Gutenberg

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim,  The Black Virgin (1924)

“ Cardinge nodded.
“No one knows,” he said.
“The silence,” Reinhardt mumbled, “may be mutual.”
“It shall,” Cardinge promised. “But what a hell of a nerve you've got to come here!”
Reinhardt sat down. He was beginning to feel more at his ease. Besides, in the room behind, he could hear the clink of ice, which seemed to establish his presence reassuringly in the haunts of civilization.
“I do not know about that,” he protested. “An oath is a great thing. The summons called me. In the old days to have disobeyed it would have been equivalent to death. Besides, I seek my quittance.”
”
Source: Wikisource

pseud. Charles Annesley,  The Standard Operaglass

“ They are artists, and one of them, Reinhardt, is attracted to the spot by his longing for the sweet village-flower, whom he has not forgotten in the whirl of the great world. Already he sees the windows of his sweet-heart glimmer through the trees, when suddenly light footsteps cause the friends to hide behind a large oak-tree. The two maidens who appear are Lorle and Bärbele. The former prays fervently, then throwing her garland she shyly calls her lover's name Reinhardt. The latter stepping from behind the tree skillfully catches the wreath—and the maiden. ”
Source: Gutenberg

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