Albert Bigelow Paine,
Life and Lillian Gish
“ I did not meet Reinhardt until he was in California, with ‘The Miracle.’ With Rudolph Kommer and Karl von Mueller he came out to our Santa Monica house, for luncheon. Before luncheon we went to the studio and ran, I think, ‘Broken Blossoms.’ Then, in the afternoon, ‘La Bohême’ and ‘The Scarlet Letter.’ They seemed to please him. He spoke no English, and I spoke no German, at the time. Kommer served as interpreter. It was then that Reinhardt suggested that we might work together. He had never made a picture, but was eager to try. ”
