Bookbinding

“ But this is not to be wondered at when we consider that the majority of the bookbinders' customers know nothing whatever of bookbinding good or bad, requiring only that their volumes shall present a gorgeous appearance to the eye. Consequently the ordinary binder is rarely called upon to pay those minute attentions to detail demanded by a hypercritical collector. Bibliophiles are born, not made, and it were foolish to expect that every bookbinder has the love of books at heart. ”

“ The thicker the book the more difficult it will be found to round it; and some papers will be found more obstinate than others, so that great care must be exercised both in rounding and backing, as the foredge when cut will have exactly the same form as the back. Nothing can be more annoying than to see books lop-sided, pig-backed, and with sundry other ailments, inherent to cheap bookbinding. ”

“ To secure a good binding the spirit of the binder must go into it. In drawing the thread, in paring and placing the leather, in applying the paste and glue, and in every other of the many processes involved, the man without good will, as the man without skill, can spoil the whole binding. Librarians should learn to esteem bookbinding highly. It is a craft which lies close to them. It is preëminently their business to encourage it to grow in excellence. They should develop their local binder’s interest in his calling, stand by him, urge him on to better work, and pay him adequately for it. ”

“ Uncut books are trimmed to a general line with a large knife, similar to a butcher's-knife, previous to being glued up. They are the special favourites of book-collectors. An uncut copy of a scarce work will always command a higher price than one that has been cropped.
STATIONERY OR VELLUM BINDING.
This branch of the Art of Bookbinding, in large towns, is a distinct business, and presents some difference in the mode of proceeding in several of the manipulations required. ”

“ The rivalry, which should have been universal, existed between France and England only. France excelled in taste and finish, but at some sacrifice of flexibility; while in England the soft and coaxing manner in which, by the skill of Hering or Mackinlay, “leaf succeeds to leaf,” was marred by the tarnishing of the once blazing gilt edges. It was of interest to American bibliophiles, as an evidence of the fact that the decline of the art of bookbinding was due to the apathy of the book collectors. ”

“ Newsboard, vellum, and paper for memorandum pad, or calendar,
or pad to be mounted.
We shall now begin to deal with materials that are more exclusively employed in bookbinding work. The simple articles considered at first are not books; but because the processes involved and the materials used will be used later in the more difficult work of binding a real book, they are made a part of this course.
The wise teacher will become somewhat familiar with handling the required materials before attempting to give instruction. ”

“ Modern bookbinding dates from the application of printing to literature, and in essentials has remained unchanged to the present day, though in those outward characteristics, which appeal to the touch and to the eye, and constitute binding in an artistic sense, it has gone through many changes for better and for worse, which, in the opinion of the writer, have resulted, in the main, in the exaggeration of technical skill and in the death of artistic fancy. ”

“ BOOKBINDING is the art of fastening together the sheets of paper composing a book, and enclosing them in cases of pasteboard covered with leather, cloth, or other materials,—the object being the preservation of the book, and its protection from injury while in use. ”

“ In bookbinding, art in all its decorative eloquence appears to claim full rights. There are bindings of past centuries—more especially in Paris, where bookbinding has always been a grand art—that are really chefs-d’œuvre. ”

“ The art of binding books is far older than the art of printing. The first known attempt to provide a cover by way of protection for a document was made by the workman who devised a clay case for the clay tablet-books of Babylonia, but this is as far from our notion of bookbinding as the tablets themselves are from our notion of books. Nor do the Roman bindings, which consisted of coloured parchment wrappers, come much nearer the modern conception. ”

“ Before proceeding to a description of the various manipulations required in gilding a book, it will be necessary to direct the attention of the young workman again to what has been advanced relative to care and attention in previous parts of this work, and follow up the remarks there made with others on the taste necessary to be displayed in this most important part of the art of bookbinding. ”

“ The sum of all my observations is, the best is the cheapest. If a book is worth binding let it be bound by the best man available. If possible, buy books so well bound from the publishers’ sheets, that they will never need to be bound again. ”

“ It is intended to supplement and not to supplant workshop training for bookbinders. No one can become a skilled workman by reading text-books, but to a man who has acquired skill and practical experience, a text-book, giving perhaps different methods from those to which he has been accustomed, may be helpful.
My thanks are due to many friends, including the workmen in my workshop, for useful suggestions and other help, and to the Society of Arts for permission to quote from the report of their Special Committee on leather for bookbinding. ”

“ The librarian cannot become a skilled binder. He should become familiar with the results of the binding he gets by a study of his books. If he finds they do not wear well, but rot, break or show loose pages, let him keep a few statistics, and if he learns he is wasting money on cheap work or poor material, let him change his material and his processes, and perhaps his binder. I hope this book may lead some to test the work they are now getting, and may help some to get more satisfactory workmanship and more enduring materials. It is not a guide to the craft of binding. ”

“ The gilding of a library book is a simple matter compared with that of books bound for individuals. Such books are usually meant to be artistic and their covers bear elaborate designs in gold, generally limited only by the size of the owner's pocketbook or by his taste. [1] In library binding gilding is confined to the furnishing of necessary information. Tooling of all kinds, with the possible exception of that which divides the back into panels, is unnecessary. A description of finishing processes is unnecessary here since they add nothing to the strength of a book. ”

“ The distinguishing characteristics of commercial binding, and at the same time its greatest weaknesses, are the machine sewing and the insecure way in which the book is fastened into the cover. Very little extra expense either in material, care, or workmanship, would make most books outside of fiction sufficiently strong to withstand all the wear that they will receive. Unfortunately the publishers fail to realize this, and books by the thousands come from the binderies covered on the back with the coarsest kind of super which does not even extend to the head or tail of the book. ”

“ Take fiction for example. More than half of the binding bills of most free public libraries are probably chargeable to novels. One of these comes to the hands of the person in charge of binding in such condition that at the first glance it seems desirable to rebind it. Let us suppose that it is still in publisher’s cloth; is quite soiled outside, but still fairly clean within; that the cover has parted from the [37] book in front; that several leaves are loose and two of them frayed at the edges; that at the back the outside sheets of several signatures are nearly worn through or broken ”

“ But ordinarily the popularity [Pg 107] of a book is the determining factor in replacing worn-out copies. The decision to replace carries with it the decision to keep a book on the shelves indefinitely. Since the book has proved its worth and is to receive hard wear, the reasons which prevailed against buying it in a strong binding when it was new no longer exist. The strongest binding that can be obtained suited to the strength of the paper is none too strong. ”

“ In the case of very valuable books, especially those with many plates, and even in the case of less valuable books which have many illustrations not paged-in, it may be best to collate at the library since it is obviously unfair to the binder to expect him to be responsible for anything except the main paging. Fiction or juvenile books may sometimes be bound when one or two pages are missing. ”

“ It is hoped, however, that there is enough new material to make the book of interest to those who deal daily with binding problems, and that the book as a whole may help to solve some of the questions relating to binding in libraries both large and small. ”

“ There is a show of justice in the modern book collector’s expression of due praise to the binder of the magnificent folio or shining duodecimo, made to sleep upon an eider-down pillow, but it will not atone for centuries of ingratitude. ”

“ For example, if all the books are fiction it is perfectly feasible to send a written order, stating that they are all to be bound in half brown cowhide with red cloth sides, French joints, etc. If the shipment is a miscellaneous one of periodicals, reference books, fiction and juvenile books it may be necessary to state on the binding slips how each book is to be bound.
2. For public libraries the question of keeping a record of books that are in the bindery is a simple one. The use of book cards for charging purposes is practically universal. ”

“ Or, if they must be kept for historical or religious or superstitious or other reasons she will advise that they be neatly tied up in paper, labeled, and put back on the shelf.
Knowledge of the art of mending implies not only knowledge of the process of making a book by machinery and by hand; but also knowledge of the different kinds of paper, how they wear, if they break easily, if they will soon grow brittle, and the effect on them of attempts to hold them with paste or glue. ”

“ The amateur and book-collector, in commencing the foundation of a library, will do well to pause before they adopt a species of binding that will in after years create a feeling of annoyance, and perhaps lead to pecuniary sacrifice. ”

“ As the large libraries have a good deal of work which the average commercial binder does not care to take, like map mounting, rare-book mending, and ordinary book repairs, the ideal condition for them would be a small bindery with two or three hands, in the building; a contract for all ordinary binding and rebinding with an outsider, and the purchase of many new books especially bound direct from the sheets. ”

“ In the past librarians have hesitated to discard any book which has once been placed on the shelves. They have believed that all printed matter has value and that a book which belongs to the library is sacred and must on [Pg 132] no account be destroyed. It is difficult to defend such an attitude. If we admit for the time being that the librarian never makes mistakes in acquiring books, still it is sure to happen that many books will outlive their usefulness, except as a part of the history or bibliography of the subject. ”

“ To decide properly what books should be rebound and how they should be rebound is not a simple matter nor one which should be left to an inexperienced or uneducated assistant. In addition to a good working knowledge of materials and processes the assistant in charge of this work should have a general knowledge of books—paper, editions, prices, literary value, timeliness, etc.—and good judgment in deciding whether a book should be bound or whether it should be mended, recased, wrapped in paper, recovered, or thrown away. ”

“ The ability to recognize a well bound book is necessary when comparing the work of different binders. A book should be bound in material suitable for the use which the book is to receive and in such a way as to give the maximum amount of service. ”

“ It is necessary that binders understand exactly how books are to be lettered, what kind of type to use and the position on the back of the book which each item of information must have. There are differences of opinion as to the best ways of lettering, but it is essential that every librarian have uniformity in his own library, even if he disagrees with his fellow workers. ”

“ When the backs of sections are very badly worn he will agree to whipstitch, but will use the old method. The librarian will insist not only that nine-tenths of fiction and juvenile books must be overcast, but that a special kind of overcasting must be used. The binders who make a specialty of library work do all this as a matter of course. At least one binder tests the thickness, tensile strength and other qualities of the paper and sews each book in the way that experience has shown to be the best. ”

“ Our own experience with art canvas and art vellum for full bindings on books much used seems to have been that of many other libraries. Popular books in these materials from about a dozen public libraries all seem to have worn poorly. ”

“ After satisfactory materials and methods of binding for a library have been discovered and adopted, there still remain many questions which can be well answered only by one having a wide knowledge of books. ”

“ Not only were the books out of circulation when most needed, but much time was used in preparing them for the bindery, checking them up on return, putting on the library marks of ownership, making cards, marking pockets, etc., all of which added to the expense. Today, in the case of new novels which are sure to be popular, such troubles are unnecessary. Instead of buying the original publishers' binding, the wise librarian buys a sufficient number of copies bound from the sheets; if the binding is properly done, he need pay no more attention to them until they are worn out. ”