Thomas K. Ford

Biographical details

Thomas K. Ford,  The Bookbinder in Eighteenth-Century Williamsburg

“ But in the hands of men who possess the spark of creative artistry, bookbinding can be more than pure craft work. Although the binder’s decorative tools are forever prefixed, each to reproduce its own set and simple pattern, they are infinitely flexible in the ways they can be combined. It is not the tool that makes a binding beautiful or ugly, but the hand that holds the tool—and even more the mind and eye that guide the hand. The history of bookbinding is studded with the names of men who were true artists in leather. ”
Source: Gutenberg

Thomas K. Ford,  The Leatherworker in Eighteenth-Century Williamsburg

“ It is hardly a secret that the processes of tanning and currying infuse the surrounding air with a symphony of odors—a circumstance that helps to explain why a tannery was generally located on the far edge of a town, and usually on the downwind side. As if hides and skins were themselves not fragrant enough, eighteenth-century tanners, curriers, and leather dressers made use at various stages or for special purposes of such delectable commodities as fish oil, sour beer, urine, barley mash, and the fermented dung of chickens, pigeons, and dogs. ”
Source: Gutenberg

Thomas K. Ford,  The Silversmith in Eighteenth-Century Williamsburg

“ Above all, today’s silversmith and his co-workers still hammer the lustrous metal with the same love of beauty that a sculptor might have. Indeed, the hammer is the silversmith’s most useful and in many ways his most delicate tool. With it he can produce effects in the metal that cannot be achieved in any other way. In fact, a fine silversmith must be able to wield a hammer much as an artist uses his brush—as if it were a natural extension of his arm. ”
Source: Gutenberg

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