Horseriding

Definition and stakes

Portrait of Melville Davisson Post Melville Davisson Post Dwellers in the Hills (1901)

We rode like phantoms, the horses' feet striking noiselessly in the deep sand, except where we threw the dead sycamore leaves. My body swung with the motions of the horse, and Ump and Jud might have been a part of the thing that galloped under their saddles.
The art of riding a horse cannot be learned in half a dozen lessons in the academy on the avenue. It does not lie in the crook of the knee, or the angle of the spine. It does not lie in the make of the saddle or the multiplicity of snaffle reins, nor does it lie in the thirty-nine articles of my lady's riding-master.
Source: Wikisource

Edward L. Anderson Riding and Driving

In the jump from the walk, the trot, and the slow gallop, the rider should incline his body slightly forward as the horse rises and bend his body back, more or less depending upon the height of the drop, as the forehand comes down,—his feet carried to the rear, so that there shall be no pressure against the stirrup to disturb the seat. Horses jump in all sorts of forms. Some horses do not rise until quite under the obstacle, when they squat down, go up almost perpendicularly, and drop on the other side quite as suddenly. Others take off at a fair distance, jump easily, and land steadily.
Source: Gutenberg

Donald Walker Walker's manly exercises (1855)

The general art of riding, sometimes called manège riding, to distinguish it from its modifications in road-riding, hunting, racing, &c., teaches us to place every part of the body so that it can act upon the horse in every emergency, shows the effect of all the aids or modes of guiding him, and enables us to render him obedient to the slightest touch. By never suffering the ascendancy to be transferred to the horse, by in general preventing him from making all his speed, and by exhausting him the sooner the more he exerts himself without permission, it bestows upon the rider perfect security.
Source: Gutenberg

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