Walter Crane,
Line and Form (1900)
“ One kept to large, bold, and simple forms—water-lilies and broad leaves, swans, scallop shells, and zigzag borders. Forms which can be readily produced by the brush would generally answer well for inlay, since they would have simple and sweeping boundaries and flat silhouette. And for inlay one is practically designing in black, white, or tinted silhouette. This makes it very good practice for all designers, both for the invention it tends to call out, owing to the limited resources and restriction as to forms, and also as giving facility and readiness in blocking in the masses of pattern. ”
