How Dante's exile transformed a political failure into a universal vision of justice

“ Dante, with other innocent citizens, was banished and condemned to death by burning. A statesman, he saw his party defeated and driven from the land; a man of property, he lost his whole fortune; one of the proudest of men, he was forced to humble himself and live on foreign alms. Inspired by the noblest intentions, the world gave him no thanks, but drove him forth like a wild beast, branded his name with foul crimes and condemned him to wander over the hills of Italy till death at last gave him release. He never saw Florence again. For years he knew poverty, neglect and hatred. ”

“ That is the only sincere glimpse we get of the living, breathing, word-compelling Dante.
Looked at outwardly, the life of Dante seems to have been an utter and disastrous failure. What its inward satisfactions must have been, we, with the Paradiso open before us, can form some faint conception. To him, longing with an intensity which only the word Dantesque will express to realize an ideal upon earth, and continually baffled and misunderstood, the far greater part of his mature life must have been labor and sorrow. ”

“ The figure of Dante Alighieri is one of the saddest in literary history; his life seemed to contain all the [Pg 195] sorrow that can fall to the lot of humankind. An exile from his native city, separated from family and friends, deprived of his property, and thus forced to live in poverty or become the recipient of charity, disappointed in his patriotic hopes, the only thing left him to do was to turn his eyes inward and to build up out of his very sufferings and sorrow, his immortal poem ”

“ On the contrary, the world in which Dante prayed and strove and studied and dreamed and wrote-the world from which comes down to us the serene glory of his Paradise of Love—was astonishingly like our own on its uglier side: a world of religious and political unrest, of clashing interests and ideals, of faction, violence, and cruelty, of individual and corporate predatory self-assertion; a [3] world in which the poet himself, called to “abandon all that man holds most dear”—
Ogni cosa diletta
Più caramente [13] — wrought out his great work as a nameless wanderer, and died in bitter exile. ”

“ The Divine Comedy is a visionary journey through the three supernatural worlds, Hell, Purgatory, and Paradise. Such visions were by no means infrequent in the Middle Ages, and Dante had many predecessors. He simply adopted a poetical device well known to his contemporaries. What differentiated him from others is the dramatic and intensely personal character of his vision; the consummate skill with which he interwove into this one poem all the science, learning, philosophy, and history of the times ”

“ The continuous experience of this living person who is at one and the same time a figure of each and every soul that ever breathed, and also the real Dante Alighieri, exile from Florence without blame, sustains as on one thread the medley of successive motives which else might lack poetic unity, gives life to a scheme which else might be too abstract. Expanding to embrace the universe, contracting to a point within one breast, the Commedia combines the general and the particular in an individual commensurate with man. ”

“ A mere image of the drama of life as presented to the eye would not suffice. The meaning of it would be lost in the confusion and multiplicity of the scene. The only possible explanation and reconcilement of its aspects lay in the universal application to them of the moral law, and in the exhibition of man as a spiritual and immortal being for whom this world was but the first stage of existence. This was the task undertaken and accomplished by Dante. ”

“ Dante's exaltation, too, originated in his love for Beatrice, which was transfigured in his soul to the white fervour of religious ecstasy, while the courage and boldness of his genius created energetically a religious outlook on the world, in which he dared, an attempt impossible without such gifts, to constitute himself the judge of mankind, and to apportion to individuals hell, purgatory, or paradise. ”

“ Though half of his manhood was spent in banishment from her dear walls, and his bones are laid far from the Arno, yet it is impossible to dissever Florence from Dante, or Dante from Florence. They are united more closely than any bridegroom and bride.
The prose works of Dante were all written after his banishment. The 'Convito,' the 'Discourse upon the Use of the Vulgar Tongue,' the 'Treatise on Monarchy,' are the chief of these works. They will be always interesting to the student, as showing the mind of the poet in other ways of working than that most congenial to him ”

“ This reward Dante gained for having given all his care to the welfare, the peace, the tranquility of his fellow-citizens! It is manifest from this how void of truth are the favors of the people, and how little trust may be placed therein. He in whom, but a short time before, every public hope, all the affections of the citizens, every refuge of the people, seemed to be placed, suddenly, for no just cause, for no offense or crime, is furiously driven into irrevocable exile, and all by means of that very Fame who aforetime had frequently been heard to lift his praises to the stars. ”

“ Dead is thy Dante Alighieri in that exile to which thou, jealous of his worth, didst unjustly condemn him. O crime immemorable, that the mother should envy the virtue of any of her sons! Now at last art thou free from anxiety. Now by reason of his death thou livest secure in thy faults, and canst end thy long and unjust persecutions. He cannot, dead, do that to thee which, living, he never would have done. He lies beneath another sky than thine, nor mayst thou think ever to see him more, save on that day when thou shalt see all thy citizens examined and punished by a just judge. ”

“ The letter, one of the noblest of Dante’s utterances, is a landmark in the growth of the national idea in Italy; rulers and peoples are admonished as members of one body; the good tidings are announced to the nation as a whole; the writer’s Italian citizenship is placed before his Florentine origin, when he subscribes himself: “The humble Italian, Dante Alighieri, a Florentine unjustly exiled.” ”

“ It found Dante, shaped him by every experience that life is capable of,—rank, ease, love, study, affairs, statecraft, hope, exile, hunger, dependence, despair,—until he became endowed with a sense of the nothingness of this world's goods possible only to the rich, and a knowledge of man possible only to the poor. ”

“ To the earlier years of Dante’s exile belongs the noblest and most sublime of his lyrics, the canzone:
Tre donne intorno al cor mi son venute,
[Pg 92]
“Three ladies are come around my heart and are seated without, for within sits Love who is in lordship of my life.” They are Justice and her spiritual children; Love prophesies the ultimate triumph of righteousness, and the poet, with such high companionship in outward misfortune, declares that he counts his exile as an honour. ”

“ Nineteen years elapsed between Dante's exile and his death, and both tradition and internal evidence indicate that the main strength of his life was poured during the whole of this period into the channels already laid down in its opening years. 'Forging on the anvil of incessant toil' the several parts of his great work, and 'welding them into imperishable [Pg 32] symmetry,' [14] the might of his intellect and the passion of his heart grappled for nineteen years with the task of giving worthy utterance to his vast idea. ”

“ It has been commonly assumed that Dante was a man soured by undeserved misfortune, that he took up a wholly new outfit of political opinions with his fallen fortunes, and that his theory of life and of man's relations to it was altogether reshaped for him by the bitter musings of his exile. This would be singular, to say the least, in a man who tells us that he "felt himself indeed four-square against the strokes of chance," and whose convictions were so intimate that they were not merely intellectual conclusions, but parts of his moral being. ”

“ And so it is when the meaning of Dante's Comedy breaks upon us. When we follow the poet step by step as he beats or pours his thought into language, when we note the firmness of his pace, the mastery with which he handles and commands his infinite theme, the unflinching directness, the godlike self-reliance, with which he lays bare the hearts of his fellow-men and makes himself the mouthpiece of the Eternal, when we gaze upon his finished work and the despair of Hell, the yearning of Purgatory, the peace of Heaven, sweep over our hearts, we are ready to whisper in awe-struck exultation ”

“ Here there is no room to treat at length of that work, to which when we turn our thoughts all else he wrote—though that was enough to secure him fame—seems to fall into the background as if unworthy of his genius. What can hardly be passed over in silence is that in the Comedy, once it was begun, he must have found a refuge for his soul from all petty cares, and a shield against all adverse fortune. We must search its pages, and not the meagre records of his biographers, to find what was the life he lived during the years of his exile ”

“ Dante is a wonderful mixture of melancholy and malice, of religion and revenge, and he represents himself as so pitiless that when he found his political opponents in hell, he struck their faces and pulled the hair of the tormented. ”

“ How infinite the pity and the waste, how irreparable the loss, when the love that might have been an ornament to Heaven, adds to the unmeasured guilt and anguish of Hell a wail of more piercing sorrow than rings through all its lower depths!
Nor could any height of place claim exemption from the moral law. Dante was a Catholic, and his reverence for the Papal Chair was deep. But against the faithless Popes he cherished a fiery indignation proportioned to his high estimate of the sacred office they abused. ”

“ The monkish writers held it up as the most noble example of monastic, of Christian perfection. Admirable as was his election, his abdication was even more to be admired. It was an example of humility stupendous to all, imitable by few. The divine approval was said to be shown by a miracle which followed directly on his resignation; but the scorn of man has been expressed by the undying verse of Dante, who condemned him who was guilty of the baseness of the 'great refusal' to that circle of hell where are those disdained alike by mercy and justice, on whom the poet will not condescend to look. ”

“ It has been objected that Dante would not treat with contumely a man so devout as Celestine. But what specially fits him to be the representative caitiff is just that, being himself virtuous, he pusillanimously threw away the greatest opportunity of doing good. By his resignation Boniface VIII. became Pope, to whose meddling in Florentine affairs it was that Dante owed his banishment. Indirectly, therefore, he owed it to the resignation of Celestine; so that here we have the first of many private scores to be paid off in the course of the Comedy. ”

“ Infinite pity, yet also infinite rigour of law: it is so Nature is made; it is so Dante discerned that she was made. What a paltry notion is that of his Divine Comedy’s being a poor splenetic impotent terrestrial libel; putting those into Hell whom he could not be avenged upon on earth! I suppose if ever pity, tender as a mother’s, was in the heart of any man, it was in Dante’s. But a man who does not know rigour cannot pity either. His very pity will be cowardly, egoistic,—sentimentality, or little better. I know not in the world an affection equal to that of Dante. ”

“ This is the foulest blot which Dante has cast on his own character in all his poem (short of the cruelties he thinks fit to attribute to God) . It is argued that he is cruel and false, out of hatred to cruelty and falsehood. But why then add to the sum of both? and towards a man, too, supposed to be suffering eternally? It is idle to discern in such barbarous inconsistencies any thing but the writer's own contributions to the stock of them. The utmost credit for right feeling is not to be given on every occasion to a man who refuses it to every one else. ”

“ It is the same with Catholicism, with imperialism, with the scholastic philosophy, and nothing is more wonderful than the power of absorption and assimilation in this man, who could take up into himself the world that then was, and reproduce it with such, cosmopolitan truth to human nature and to his own individuality, as to reduce all contemporary history to a mere comment on his vision. We protest, therefore, against the parochial criticism which would degrade Dante to a mere partisan, which sees in him a Luther before his time, and would clap the bonnet rouge upon his heavenly muse. ”

“ Dante, weeping like the sinners in the Bolgia, is asked by Virgil: ‘What, art thou then one of them?’ He had been suffered, without reproof, to show pity for Francesca and Ciacco. The terrors of the Lord grow more cogent as they descend, and even pity is now forbidden. ”

“ This is surely a false simplification. To have lost all recollected delight would have been, for Francesca, either loss of humanity or relief from damnation. The ecstasy, with the present thrill at the remembrance of it, is a part of the torture. Francesca is neither stupefied nor reformed; she is merely damned; and it is a part of damnation to experience desires that we can no longer gratify. For in Dante’s Hell souls are not deadened, as they mostly are in life; they are actually in the greatest torment of which each is capable. ”

“ In the Hell, Dante shows us the nature and the deserts of impenitent sin; and though we may well shrink from the ghastly conception of an eternal state of impenitence and hatred, yet surely there is nothing from which we ought to shrink in the conception of impenitent sin as long as it lasts, whether in us or in others, concentrating its results upon itself, making its own place and therefore receiving its deserts.
When we turn from Hell to Purgatory, we turn from unrepentant and therefore constantly cherished, renewed, and reiterated sin, to repentant sin, already banished from the heart. ”

“ Thus it becomes a symbol of the whole life of man from conversion to death; man, no longer sunk in ignorance and sin, as in the Inferno; not yet soaring aloft on heights of impassioned contemplation, as in the Paradiso; but struggling against difficulties and temptations, making amends for misuse of Free Will, conforming with the practices of the Church, and obeying the imperial authority, until the time comes to pass to the blessedness of another world.
Dante’s open-air treatment of Purgatory seems peculiar to him. ”

“ The formal element, the aversion from the imperishable good, which is the essence of Hell, has been forgiven; the material element, the conversion to the good that perishes, the disordered love, is now to be purged from the soul. In the allegorical or moral sense, since love, as Aquinas says, is “the ultimate cause of the true activities of every agent,” it is clear that man’s first duty in life is to set love in order; and, indeed, the whole moral basis of Dante’s Purgatory rests upon the definition of St. ”

“ Holds dearest! thou wouldst deign by proof t' unfold
That love, from which as from their source thou bring'st
All good deeds and their opposite." He then:
"To what I now disclose be thy clear ken
Directed, and thou plainly shalt behold
How much those blind have err'd, who make themselves
The guides of men. The soul, created apt
To love, moves versatile which way soe'er
Aught pleasing prompts her, soon as she is wak'd
By pleasure into act. ”

“ Dante defines an author as ‘one worthy to be believed and obeyed’ (Convito iv. 6) . For a guide and companion on his great pilgrimage he chooses Virgil, not only because of his fame as a poet, but also because he had himself described a descent to the Shades—had been already there. The vulgar conception of Virgil was that of a virtuous great magician. ”

“ Throughout Purgatory Dante is still led and instructed by Virgil. I think there is nothing in the whole Comedy so pathetic as the passages in which the fate of Virgil, to be cut off for ever from the light of God, is contrasted with the hope of the souls in Purgatory. The sweetness and beauty of Virgil's character as conceived by Dante grow steadily upon us throughout this poem, until they make the contemplation of his fate and the patient sadness with which he speaks of it more heartrending than anything that we have heard or seen in Hell. ”

“ Had he rejected any of the cardinal beliefs of the Christianity of his age and rebelled against the Church, he might have been the herald of future reformations, but he could never have been the index and interpreter to remotest generations of that mediæval Catholic religion of which his poem is the very soul.
Meanwhile note this, that if ever man realised the awful mystery and contradiction involved in the conception of a good God condemning the virtuous heathen to eternal exile, that man was Dante. ”

“ He governs everywhere, and there he reigns;
There is his city and his lofty throne;
O happy he whom thereto he elects!”
And I to him: “Poet, I thee entreat,
By that same God whom thou didst never know,
So that I may escape this woe and worse,
Thou wouldst conduct me there where thou hast said,
That I may see the portal of Saint Peter,
And those thou makest so disconsolate.”
Then he moved on, and I behind him followed.
Inferno: Canto II Day was departing, and the embrowned air
Released the animals that are on earth
From their fatigues ”

“ Is such an invitation, then, to return to his country glorious to Dante Alighieri, after suffering in exile almost fifteen years? Is it thus they would recompense innocence which all the world knows, and the labor and fatigue of unremitting study? Far from the man who is familiar with philosophy be the senseless baseness of a heart of earth, that could act like a little sciolist, and imitate the infamy of some others, by offering himself up as it were in chains: far from the man who cries aloud for justice, this compromise by his money with his persecutors. ”

“ Lowell’s essay on Dante makes other writing about the poet or the poem seem ineffectual and superfluous. I must assume that it will be familiar to the readers of my version, at least to those among them who desire truly to understand the Divine Comedy.
The scene of the poem is the spiritual world, of which we are members even while still denizens of the world of time. In the spiritual world the results of sin or perverted love, and of virtue or right love, in this life of probation, are manifest. The life to come is but the fulfilment of the life that now is. ”

“ The Heavens, which are “the seal of mortal wax” (Canto VIII.) , increase in power as they are respectively nearer the Empyrean, so that the joy in each, as it is higher up, is greater than in the heavens below. To this time Dante had felt no joy equal to that afforded him by this song. But a still greater joy awaited him in the eyes of Beatrice, to which, since he entered the Fifth Heaven, he had not turned, but which there, as elsewhere, were to afford the supreme delight. ”

“ PARADISE FROM THE DIVINE COMEDY BY Dante Alighieri Translated by
THE REV. H. F. CARY, M.A. Contents
PARADISE
CANTO I
His glory, by whose might all things are mov’d,
Pierces the universe, and in one part
Sheds more resplendence, elsewhere less. In heav’n,
That largeliest of his light partakes, was I,
Witness of things, which to relate again
Surpasseth power of him who comes from thence;
For that, so near approaching its desire
Our intellect is to such depth absorb’d,
That memory cannot follow. ”

“ In these two parts of his poem Dante shows how love is the transfiguring force in working the miracle of moral regeneration. And this love is without any trace of carnal passion; it is the supreme aspiration, which has such power that it makes its possessor ruler over his own spirit and master of his destiny. What power, what passion resided in the mind of this old poet that it could so charge his words that these should inspire the greatest writers of an alien nation, six hundred years after his death, to pay homage to the moving spirit of his verse. ”

“ Dante must now have been engaged in writing the Paradise. Amongst the sufferings and burdens which were fast drawing him to the grave, amongst the agonies of indignation, of regret, of hope, of disappointment which still wracked his soul, the deep peace of God had come upon him; beneath a storm of passion at which our hearts quail was a calm of trustful self-surrender which no earthly power could disturb; for the harmonies of Paradise swelled in the poet's heart and sought for utterance in these last years. ”

“ DANTE
Banishment, too, has this effect above all, that it either wears the exile out or develops whatever is greatest in him. “In all our more populous cities,” says Giovanni Pontano, “we see a crowd of people who have left their homes [181] of their own free will; but a man takes his virtues with him wherever he goes.” And, in fact, they were by no means only men who had been actually exiled, but thousands left their native place voluntarily, because they found its political or economical condition intolerable. ”

“ The increase of knowledge, the loss of belief in doctrines that were fundamental in Dante’s creed, the changes in the order of society, the new thoughts of the world, have not lessened the moral import of the poem, any more than they have lessened its excellence as a work of art. Its real substance is as independent as its artistic beauty, of science, of creed, and of institutions. Human nature has not changed ”

“ Taking, therefore, this comprehensive view of the state of society; considering the triumph of the Christian idea in history, the consciousness of Christianity as the principle of life in the newly-organized world, and the struggle of this element to mould and fashion everything according to its nature, we may easily answer the question as to the character of a poem which should thoroughly express the spirit of the age. It would not be hard to show that the Divine Comedy of Dante derived its matter, its form, its name, and its sentiment from the peculiar condition of the epoch. ”

“ Almost all other poets have their seasons, but Dante penetrates to the moral core of those who once fairly come within his sphere, and possesses them wholly. His readers turn students, his students zealots, and what was a taste becomes a religion. The homeless exile finds a home in thousands of grateful hearts. E venne da esilio in questa pace!
Every kind of objection, aesthetic and other, may be, and has been, made to the Divina Commedia, especially by critics who have but a superficial acquaintance with it, or rather with the Inferno, which is as far as most English critics go. ”

“ Sincerity here, too, we find to be the measure of worth. Intensity is the prevailing character of his genius; his greatness lies in fiery emphasis and depth; it is seen even in the graphic vividness of his painting. Dante burns as a pure star, fixed in the firmament, at which the great and high of all ages kindle themselves.
As Dante embodies musically the inner life of the Middle Ages, so Shakespeare embodies for us its outer life, its chivalries, courtesies, humours, ambitions. Dante gave us the soul of Europe; Shakespeare gave us its body. ”