Margaret Oliphant Oliphant

Dante (1877)

Summary

Margaret Oliphant Oliphant Dante (1877)

Florence is the scene and background of this delicate picture. When Beatrice dies, "How doth the city sit solitary!" are the words that burst from the mourner's lips. And in the graver and greater poem of his mature life, Florence is the key-note of every strain. Heaven and hell, and the hopeful sadness of the green slopes between, are all crowded with Florentines. There is talk of the city in the highest circles of heaven, where blessed spirits, with the sound of tears in their voice, denounce her for very love of her, rather than leave in silence her beloved name.
Source: Wikisource

Margaret Oliphant Oliphant Dante (1877)

Once more it is the dim, sweet world of the frescoes that opens upon us, and through the peopled space the poet sees, advancing towards him, a beautiful lady. Madonna Vanna, the beloved of Guido Cavalcanti, who had given her the name of Primavera, or Spring. After her, heralded by "the accustomed tremor" in his heart, came Beatrice, "each by the side of the other a miracle" of beauty and grace. As these two fair and sacred creatures passed him by, it suddenly occurred to Dante why the lesser wonder of the two should be called Primavera.
Source: Wikisource

Margaret Oliphant Oliphant Dante (1877)

Thus he reached the very flower of his young manhood—not the less a man that he was so absorbed and adoring a lover. But his manhood, his fighting, his studying—all the other side of his life—is outside the 'Vita Nuova.' In this there is nothing but poetry, and the worship of that perfection of all womanhood, that embodiment of sweetness and purity and love.
Source: Wikisource

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