Margaret Oliphant Oliphant

Biographical details

Margaret Oliphant Oliphant,  Dante (1877)

“ Florence is the scene and background of this delicate picture. When Beatrice dies, "How doth the city sit solitary!" are the words that burst from the mourner's lips. And in the graver and greater poem of his mature life, Florence is the key-note of every strain. Heaven and hell, and the hopeful sadness of the green slopes between, are all crowded with Florentines. There is talk of the city in the highest circles of heaven, where blessed spirits, with the sound of tears in their voice, denounce her for very love of her, rather than leave in silence her beloved name. ”
Source: Wikisource

Margaret Oliphant Oliphant,  Dante (1877)

“ Once more it is the dim, sweet world of the frescoes that opens upon us, and through the peopled space the poet sees, advancing towards him, a beautiful lady. Madonna Vanna, the beloved of Guido Cavalcanti, who had given her the name of Primavera, or Spring. After her, heralded by "the accustomed tremor" in his heart, came Beatrice, "each by the side of the other a miracle" of beauty and grace. As these two fair and sacred creatures passed him by, it suddenly occurred to Dante why the lesser wonder of the two should be called Primavera. ”
Source: Wikisource

Margaret Oliphant Oliphant,  Dante (1877)

“ To some critics it has seemed an allegory from beginning to end, and these writers have found in the peerless Beatrice no true woman at all, but only an emblem of heavenly wisdom, the highest light and inspiration of the soul. This far-fetched theory we are fortunately not called upon to discuss; for we cannot believe that any new reader, approaching the wonderful tale with an unbiassed mind, could ever imagine a love so tremulous with delicate passion, so absorbing and all-pervading, to be directed to an abstract quality. ”
Source: Wikisource

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