Summary

Portrait of Dante Alighieri Dante Alighieri The Divine Comedy of Dante Alighieri…

But, Father, this is no way for me to return to my country by; though if by you or others one can be hit upon through which the honour and fame of Dante will take no hurt, it shall be followed by me with no tardy steps. If by none such Florence is to be entered, I will never enter Florence. What then! Can I not, wherever I may be, behold the sun and stars? Is not meditation upon the sweetness of truth as free to me in one place as another? To enjoy this, no need to submit myself ingloriously and with ignominy to the State and People of Florence!
Source: Gutenberg

Portrait of Dante Alighieri Dante Alighieri The Divine Comedy of Dante Alighieri…

The leader of the exiles was Farinata, one of the Uberti, a family which, so long ago as 1180, had raised a civil war to force their way into the consulship. Ever since, they had been the most powerful, perhaps, and certainly the most restless, clan in Florence, rich in men of strong character, fiercely tenacious of their purpose. Such was Farinata. To the Florentines of a later age he was to stand for the type of the great Ghibeline gentleman, haughty as Lucifer, a Christian in name though scarcely by profession, and yet almost beloved for his frank excess of pride.
Source: Gutenberg

Portrait of Dante Alighieri Dante Alighieri The Divine Comedy of Dante Alighieri…

Here there is no room to treat at length of that work, to which when we turn our thoughts all else he wrote—though that was enough to secure him fame—seems to fall into the background as if unworthy of his genius. What can hardly be passed over in silence is that in the Comedy, once it was begun, he must have found a refuge for his soul from all petty cares, and a shield against all adverse fortune. We must search its pages, and not the meagre records of his biographers, to find what was the life he lived during the years of his exile
Source: Gutenberg

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