Christabel R. Coleridge

Biographical details

Christabel R. Coleridge,  Waynflete

“ But Florella was happier for the moment of approach. They had not ceased to understand each other. She could not paint the sun on the spring flowers, she could not satisfy herself with any tint with which she tried to match them. But, if light and hue escaped her, she could seize on their form, and she made delicate and exquisite pen-and-ink sketches of every swelling leaf and bursting bud.
She went, also, and stood on the bridge which she had seen in vision on that murky autumn evening, when her soul had followed Guy’s through its strange encounter.
”
Source: Gutenberg

Christabel R. Coleridge,  An English Squire

“ As Cheriton listened to the noise of the rooks, and looked out at the sunset, he recalled the awe and strange curiosity, the clinging to the dear home, to the dearer love which had made life so dear; the attempted submission, the dim trust that death, if it came, must be well for him, with which he had first said to himself that he must die; remembered, too, other hours, when, in weakness of body and anguish of soul, he had found it still harder to believe that it must be well for him that he should live. ”
Source: Gutenberg

Christabel R. Coleridge,  Maud Florence Nellie; or, Don't care…

“ Alwyn looked at the wreath, which was constructed with great skill and of an infinite variety of leaves, berries, and blossoms. Every summer flower lingering in shady corners of the wood had been brought together. There were bits of every different kind of tree—autumn berries, curious seed vessels, grasses and rushes, heather and ferns, moss and lichen—all the woodland world was represented. It could not be a gay wreath with its infinite mixture of tints and forms, but there was the very spirit of the wood in its sober colouring and fresh woody smell. ”
Source: Gutenberg

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