Cécile Tormay

Biographical details

Portrait of Cécile Tormay Cécile Tormay An outlaw's diary: revolution (1923)

It is not a jewel, it is not an ornament, it is not pomp, it is Hungary itself. Kingdoms have come and gone, but there was no people in this world to whom its crown meant so much as our crown meant to us. The Hungarian crown is every Hungarian soul, every clod of its soil, every Hungarian harvest. With it is torn from the country’s head not kingship alone, but all that we have been, all that we may ever be. From century to century the ancient symbol wrought in gold has been preserved in an iron-bound chest up there in the religious gloom of the castle of Buda
Source: Gutenberg

Portrait of Cécile Tormay Cécile Tormay The Old House: A Novel (1922)

On the wooden pavement of the chain-bridge the sound of the wheels became soft. The bridge swayed gently, in unison with the river as if it had petrified over the Danube out of the elements of the water and recalled its origin. Anne had the feeling that the bridge and the river were but one and that the carriage was floating. Before her eyes the sun played on the iron supports of the bridge as if they were the strings of a giant harp. The sky looked ever so high and blue over the castle hill. Beyond, on the old battlefield, dense grass had grown out of the many deaths.
Source: Gutenberg

Portrait of Cécile Tormay Cécile Tormay An outlaw's diary: revolution (1923)

Meanwhile, on the other bank of the Danube they shout: Long live the revolution! Revolution.... Madness! What good can a revolution do now? Nobody takes it seriously, not even those who made it. Madness! It did me good to repeat the word, and I began to take heart. Nothing will come of it. The Hungarian is not a revolutionary—he fights for freedom. Every commotion in our history of a thousand years has been a war of liberation. And freedom has come: independence has fallen from its own accord into the nation’s lap....
Source: Gutenberg

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