Cécile Tormay

Cécile Tormay

Summary

Portrait of Cécile Tormay Cécile Tormay The Old House: A Novel (1922)

On the wooden pavement of the chain-bridge the sound of the wheels became soft. The bridge swayed gently, in unison with the river as if it had petrified over the Danube out of the elements of the water and recalled its origin. Anne had the feeling that the bridge and the river were but one and that the carriage was floating. Before her eyes the sun played on the iron supports of the bridge as if they were the strings of a giant harp. The sky looked ever so high and blue over the castle hill. Beyond, on the old battlefield, dense grass had grown out of the many deaths.
Source: Gutenberg

Portrait of Cécile Tormay Cécile Tormay The Old House: A Novel (1922)

Now, perhaps Christopher understood all that she could not tell him. He lived for ever among men and men are ashamed of feeling. To hide it they whistle and look out of the window. She too had been brought up with these ideas. She was taught that feeling is deep and great only so long as it keeps mute and becomes at once petty and ridiculous when it raises its voice; so pitiably petty that it makes one blush and run out of the room. It must never be shown. Nor did the others in the house ever display it, nobody but Uncle Sebastian, long, long ago.
Source: Gutenberg

Portrait of Cécile Tormay Cécile Tormay The Old House: A Novel (1922)

It was a memorable event for the corridor to hear the sound of steps. The ticking of the marble clock resounded through all the rooms, no noise impeding its progress.
Thus did Anne find the house when she came back with her husband from the interrupted journey which was to remain in her memory like a broken dream.
Days without thoughts. Gentle words. Pure, girlish fears. Then she became accustomed to Thomas’s embraces. The news of her father’s death roused her and she could dream her dream no more. It was gone for ever. Another came.
Real life took its place and the first year passed away.
Source: Gutenberg

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