Edward Robins

Biographical details

Edward Robins,  The Palmy Days of Nance Oldfield

“ What mattered it if the actor, as Pope related, wore a long wig and flowered gown? Cato was none the less himself for that, nor did Booth's elegance of delivery seem unwelcome because his clothes pictured the dandified spirit of the eighteenth century.
"Cato!" The play is forgotten now, but there was magic in its name in the palmy days of its author, gentle, kindly Joseph Addison. So potent was that magic, such vivid impression did the fate of the grand old Roman make on more than one mind, when thus retold in lofty verse, that the tragedy was cited as a justification of self-destruction.
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Source: Gutenberg

Edward Robins,  The Palmy Days of Nance Oldfield

“ When the play is over Nance can take a new part, that of a feminine conqueror. She has overshadowed Colley Cibber, who is more dazed than chagrined at the dénouement, and she has proved more potent for the public amusement than all the beauties of "Jimminy, Gomminy," with its elephants, its jaw-waw, and its pearly Indian Sea. As she sits in the green-room, smiling in girlish triumph while she looks around at the beaux and players who crowd about her, anxious to worship the rising star, her eloquent glance falls on George Farquhar. ”
Source: Gutenberg

Edward Robins,  Chasing an Iron Horse; Or, A Boy's Adventures in the Civil War

“ Watson and George were soon safely ensconced for the night in the minister’s hayloft, with Waggie slumbering peacefully on top of a mound of straw.
“I think we are more comfortable than our pursuers who are running around the country,” said George. He was stretched out next to Watson on the hay, and over him was an old horse-blanket.
“Thanks to dear old Buckley,” answered Watson. “He is a real Southerner—generous and kind of heart. Ah, George, it’s a shame that the Americans of one section can’t be friends with the Americans of the other section.”
”
Source: Gutenberg

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