Ermete Pierotti

Biographical details

Portrait of Ermete Pierotti Ermete Pierotti Jerusalem Explored, Volume 1—Text

Some mounting on each other's shoulders form themselves into living human columns, and then suddenly fling themselves in the midst of the excited throng. Others feign to be dead, and their companions carry them round the building, singing funeral hymns and uttering their wonted cries of mourning. Here is a party in high dispute, there a company fighting and wrestling, while a third, and far the most numerous band, is madly pressing towards the two oval holes through which the fire issues from the Sepulchre, the one at the north, the other at the south end of the monument.
Source: Gutenberg

Portrait of Ermete Pierotti Ermete Pierotti Jerusalem Explored, Volume 1—Text

Escaping, however, from the city, from its bad smells and loathsome and importunate beggars, we can ascend the hills, and contemplate a panorama, where every stone is a witness of God's revelation, and every ruin a monument of His wrath. On these bare summits high and ennobling thoughts fill the mind, bringing a calm that is found with difficulty in bustling and crowded cities. He who is careless or unbelieving, he who travels only from curiosity or to kill time, had better take my advice, and avoid Jerusalem.
Source: Gutenberg

Portrait of Ermete Pierotti Ermete Pierotti Jerusalem Explored, Volume 1—Text

Hammer in hand, and dead to every sense of artistic beauty, he chops off fragments from the inscriptions of Sesostris, from the columns of Baalbek, and from the monuments of Jerusalem. The Tombs of the Kings have suffered more at his hands than from all the hostile invasions that have devastated Palestine.
On descending into the vestibule, we see in its south wall a small low door, which can only be passed by creeping on the ground.
Source: Gutenberg

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