George Eric Mackay

Biographical details

George Eric Mackay,  Popular Science Monthly (1880)

“ Reverence for the deceased, a craving for the companionship of the unburied corpse, is not encouraged in Italy. As soon as life is extinct, or is believed to be extinct, the human being ceases to be sacred. It is earth or clay and nothing more, and the glamour of a beloved face which no longer smiles does not, to an Italian mind, speak of a soul hovering near the body, a soul asleep, not dead, which haunts the chamber of woe, and makes itself felt, as it were instinctively, in the presence of the mourners. ”
Source: Wikisource

George Eric Mackay,  Once a Week (1863)

“ The reason lies in the prestige of Italian opera. Englishmen care little in what language it is performed, so they can have their favourite singers. It is music—it is a fine voice that the public flock to hear; and so the soprano’s notes soar clear and bird-like, and the tenor’s voice attains the perfection of a musical instrument, they can shrug their shoulders both at the sentiments and the phraseology. Insipid verses uttered in the fervour of operatic rapture by a Patti or a Piccolomini, are more palatable to the ear than the finest drama indifferently performed ”
Source: Wikisource

George Eric Mackay,  Once a Week (1863)

“ The quotations we have made will serve to show the absurdity of the “libretto,” and awaken commiseration for the composer, that he should be compelled to link his music with such intolerable trash. New music ought to demand new words—new musical pieces new dramas. It is unpardonable that so much exquisite music should be dressed in so mean a garb, and the whole splendour of Italian opera be depreciated by a set of scribblers who know so little of the rudiments of letters. It is time that some change should be effected. ”
Source: Wikisource

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