I. S. Williams

Biographical details

I. S. Williams,  Littell's Living Age — Volume 115…

“ There is nothing of such extravagance in the Dutch school. In the first place, the talent — or genius — of the artists may always pretty much be depended upon to turn out much the same quality of work as we might expect of a people whose temperament is rather solid than spiritual. In the second, the painter paints precisely what he has seen, and although he sometimes scandalizes you by a touch of coarse ness that might have been spared, at least you must pay homage to his honesty — and honesty in art carries its own reward, like virtue in morals. ”
Source: Wikisource

I. S. Williams,  Littell's Living Age — Volume 115…

“ Those who have seen the Villa Massimo of to-day have seen the Villa Paretti of Cardinal Montalto; and none who have visited Rome but must be acquainted with the name and works of Domenico Fontana, then the humble mason, but afterwards the prized and trusted architect of that ambitious ædile, Sixtus the Fifth.
There was not a man in Rome who dreamed for an instant that the slighted and retired cardinal of the Via Papale would succeed to the Pontiff who held him in so little esteem
”
Source: Wikisource

I. S. Williams,  Littell's Living Age — Volume 115…

“ He ordered that a friar who had made an image of the Madonna, to work some of those miracles which have been at all times so common, to be whipped from one end of the Corso to the other. Even a Franciscan monk was publicly hanged, and a priest who had systematically disseminated false and scandalous news had his tongue and hands cut off. When people quarrelled in the streets the spectators cried out, "Remember Sixtus the Fifth reigns"; and as the Moslem mothers used to terrify their babes with the name of Richard, Roman mothers silenced their children with the whisper, "Hush Sixtus is coming!" ”
Source: Wikisource

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