Mark Turin, Claire Wheeler and Eleanor Wilkinson Oral Literature in the Digital Age…

Under the name of “Hadoti Culture”, the audience is treated to an overblown, overdressed Bollywood-style parody of the Tejaji tradition with even a female singer backing up the storyteller. There is always a prancing horse dancer and usually a man twirling an umbrella. The audience, which probably does not understand the language of the singing, is introduced only to the visual elements. For generations the traditions of the Tejaji Ballad have survived in the environment of socio-religious beliefs and customs.
Source: Wikisource

Mark Turin, Claire Wheeler and Eleanor Wilkinson Oral Literature in the Digital Age…

Take, for example, the case of the last medicine-man of an indigenous Amazonian group: as an individual he possesses a rich knowledge about the use of plants and herbs, but his knowledge is not his personal property but the product of the collective experience of his people in their century-long coexistence with the tropical forest; the fact that in principle the last medicine-man can transmit his medicinal knowledge through language practically to anybody poses a problem to the distribution of such knowledge and the property of it in relation to his people.
Source: Wikisource

Mark Turin, Claire Wheeler and Eleanor Wilkinson Oral Literature in the Digital Age…

When Ha Mingzong replied that he thought that cultural preservation was important, this man asked why Ha Mingzong, who was studying abroad, would choose to study his own people when he had the chance to learn things that could not be acquired at home and besides, he added, many local Mongghul would probably always know more about themselves than he would. Ha Mingzong and Ha Mingzhu’s family and relatives generally did not understand why they were involved in such projects that focused on an intensely impoverished past and present reality that many people spend a lifetime trying to escape.
Source: Wikisource

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