Mark Turin, Claire Wheeler and Eleanor Wilkinson, Oral Literature in the Digital Age…
“ Under the name of “Hadoti Culture”, the audience is treated to an overblown, overdressed Bollywood-style parody of the Tejaji tradition with even a female singer backing up the storyteller. There is always a prancing horse dancer and usually a man twirling an umbrella. The audience, which probably does not understand the language of the singing, is introduced only to the visual elements. For generations the traditions of the Tejaji Ballad have survived in the environment of socio-religious beliefs and customs. ”
