Renée Elton Maud

Biographical details

Renée Elton Maud,  One year at the Russian court: 1904-1905 (1918)

“ The big, black, sure-footed, nervous horses, with their long tails and manes, do not resemble ours in any way. The reins and the red or blue tassels brighten up the harness, and how enjoyable it is to go for a drive in a sleigh at full tilt, zigzagging about over the pure white snow as slippery as glass, specially so in a troïka, to the tinkling sound of its many bells. ”
Source: Wikisource

Renée Elton Maud,  One year at the Russian court: 1904-1905 (1918)

“ Those who respected themselves, and there were many whose desire it was to do so, had their stall at the ballet.
The Russian ballet, which had become so popular a feature of the last few pre-war Covent Garden seasons, has always been one of the most fashionable meeting-places of Petrograd society. I often went to the ballet and thoroughly enjoyed those evenings, being extremely amused always in contemplating the varied expressions on the physiognomies of both my young and old bachelor friends, with their eyes lost in rapt admiration—absolutely embedded in their opera-glasses.
”
Source: Wikisource

Renée Elton Maud,  One year at the Russian court: 1904-1905 (1918)

“ Krylenko, appointed by Lenin as generalissimo of the Russian Army, is a man of very mediocre intelligence; he was up to a few months ago residing near Montreux in Switzerland and was merely a lieutenant of the reserve of the Russian Army. He is not a Jew, but he is known by his friends as Father Abraham, a sobriquet of which he is very proud.
The great Russian people appear to me like a huge ball sent helter-skelter, rolling down a slide from an eminence—the slide is the Revolution.
One Government will continue to replace another until the abyss of anarchy is reached.
”
Source: Wikisource

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