Richmal Crompton

Biographical details

Portrait of Richmal Crompton Richmal Crompton A Wonderful Woman (1925)

IT was Peter's sister who told me of Felicity's engagement, and my first feeling was one of disappointment that it should not be Peter to whom she was engaged. I am old enough to be their mother, and I have known and loved Peter and Felicity since they were children. There is something rare and exquisite about Felicity. The pale ivory of the cheeks, the deep blue of her eyes and dull gold of her hair have the elusive delicacy of a Japanese picture. And behind the pale beauty of her there is a radiance, like a light that glows behind alabaster. She is eager, wistful, shy, tremulously alive.
Source: Wikisource

Portrait of Richmal Crompton Richmal Crompton Just William (1922)

And at William’s heart was a proud, radiant happiness.
There was a picture in that year’s Academy that attracted a good deal of attention. It was of a boy sitting on an upturned box in a barn, his elbows on his knees, his chin in his hands. He was gazing down at a mongrel dog and in his freckled face was the solemnity and unconscious, eager wistfulness that is the mark of youth. His untidy, unbrushed hair stood up round his face. The mongrel was looking up, quivering, expectant, trusting, adoring, some reflection of the boy’s eager wistfulness showing in the eyes and cocked ears.
Source: Wikisource

Portrait of Richmal Crompton Richmal Crompton Still—William (1925)

William climbed down the pear tree which grew right up to his bedroom window, Ginger got out of the bathroom window and crawled along the garden wall to the gate, Douglas and Henry got out of the downstairs windows. All were athrill with the spirit of adventure. They would not have been surprised to meet a Red Indian in full war paint, or a smuggler with eye patch and daggers, or a herd of lions and tigers—or even—despite their scorn of fairy tales—a witch with a cat and broomstick walking along the moonlit road.
Source: Gutenberg

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