Richmal Crompton

Richmal Crompton

Summary

Portrait of Richmal Crompton Richmal Crompton William—the outlaw (1927)

William with one glance at the purple face threw dignity to the winds and got out, closely followed by the incipient sheep dog. He was ablaze with righteous indignation. He felt that he’d rather have had anything stolen from him than the precious whistle, his glorious insignia as sheep dog trainer. Stolen—yes, that was it, stolen—his whistle stolen. The man in the mauve suit ought to be in prison—a robber, that was what he was—just an ordinary robber. He—he’d go and tell someone about it so that the man in the mauve suit could be put in prison.
Source: Gutenberg

Portrait of Richmal Crompton Richmal Crompton William—the outlaw (1927)

William slowly and painfully (for the aperture was so small that occasionally it grazed his back and head) travelled along what was little more than a fissure in the rock. The spirit of adventure was high in him. He was longing to come upon a cave full of swarthy men with coloured handkerchiefs tied round their heads and gold ear-rings, quaffing goblets of smuggled rum or unloading bales of smuggled silk. Occasionally he stopped and listened for the sound of deep-throated oaths or whispers or smugglers’ songs.
Source: Gutenberg

Portrait of Richmal Crompton Richmal Crompton William—the outlaw (1927)

The house-boy and the cook and the silver cleaning and the hose-pipe and the flood and Miss Polliter and the hens and the pig and the puppy and the infants had completely driven the cave and the Outlaws out of his head. Crumbs, wouldn’t everybody be mad!
For William had learnt by experience that with a strange perversity parents who had mourned their children as lost or dead are generally for some reason best known to themselves intensely irritated to find that they have been alive and well and near them all the time.
Source: Gutenberg

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