Sara Cone Bryant

“ For the transmittable thing in a story is the identifying essence, the characterising savour, the peculiar quality and point of view of the humour, pathos, or interest. Every tale which claims a place in good fiction has this identifying savour and quality, each different from every other. The laugh which echoes one of Seumas McManus's rigmaroles is not the chuckle which follows one of Joel Chandler Harris's anecdotes; the gentle sadness of an Andersen allegory is not the heart-searching tragedy of a tale from the Greek; nor is any one story of an author just like any other of the same making. ”

“ As Robert raised his eyes, he saw the face of the king smiling at him with a radiance like nothing on earth, and as he sank to his knees before the glory of that smile, a voice sounded with the music, like a melody throbbing on a single string:—
"I am an angel, and thou art the king!"
Then Robert of Sicily was alone. His royal robes were upon him once more; he wore his crown and his royal ring. He was king. And when the courtiers came back they found their king kneeling by his throne, absorbed in silent prayer. ”

“ It is a beautiful song; I wish we knew the music that David made for it, but we only know his words. I will tell it to you now, and then you may learn it, to say for yourselves.
The Lord is my shepherd; I shall not want.
He maketh me to lie down in green pastures; he leadeth me beside the still waters.
He restoreth my soul; he leadeth me in the paths of righteousness for his name's sake.
Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me. ”

“ To the child and to the dreamer all things are possible; frogs may talk, bears may be turned into princes, gallant tailors may overcome giants, fir-trees may be filled with ambitions. A chair may become a horse, a chest of drawers a coach and six, a hearthrug a battlefield, a newspaper a crown of gold. And these are facts which the story-teller must realise, and choose and shape the stories accordingly.
Many an old book, which to a modern grown person may seem prim and over-rigid, will be to the child a delight; for him the primness and the severity slip away, the story remains. ”

“ In fury, he ordered Suliman to be put in fetters and brought before him.
As his servants left him, to carry out the wicked order, there was a clash, as of thunder, in the room, and then a blinding light. Fairy Candide stood before him. Her beautiful face was stern, and her silver voice rang like a trumpet, as she said, "Wicked and selfish prince, you have become baser than the beasts you hunt; you are furious as a lion, revengeful as a serpent, greedy as a wolf, and brutal as a bull; take, therefore, the shape of those beasts whom you resemble!" ”

“ And in a little while they saw an old Alligator, lying half buried in mud and slime, at the river's edge.
"Brother Alligator, oh, Brother Alligator!" said the Brahmin, "does it seem at all right or fair to you that this Tiger should eat me up, when I have just now let him out of a cage?"
The old Alligator turned in the mud, and grunted, and snorted; then he said,—
"I lie here in the mud all day, as harmless as a pigeon; I hunt no man, yet every time a man sees me, he throws stones at me, and pokes me with sharp sticks, and jeers at me. Men are a worthless lot. Let the Tiger eat the Brahmin!" ”

“ The great difference, including lesser ones, between telling and reading is that the teller is free; the reader is bound. The book in hand, or the wording of it in mind, binds the reader. The story-teller is bound by nothing; he stands or sits, free to watch his audience, free to follow or lead every changing mood, free to use body, eyes, voice, as aids in expression. Even his mind is unbound, because he lets the story come in the words of the moment, being so full of what he has to say. For this reason, a story told is more spontaneous than one read, however well read. ”

“ Margery could almost smell the posies, she was so excited. Only, she had seen so little of flowers that she did not know what all the names meant. She did not know that a helianthus was a sunflower until her mother told her so, and she had never seen the dear, blue, bell-shaped flowers that always grow in old-fashioned gardens, and are called Canterbury bells. She thought the calendula must be a strange, grand flower, by its name; but her mother told her it was the gay, sturdy, everydayish little flower called a marigold. ”

“ Then she sang one more song, so sweet and so sad that it made Death think of his garden in the churchyard, where he always liked best to be. And he rose from the Emperor's heart and floated away through the window.
When Death was gone, the Emperor said to the little Nightingale, "Oh, dear little Nightingale, you have saved me from Death! Do not leave me again. Stay with me on this little gold perch, and sing to me always!"
"No, dear Emperor," said the little Nightingale, "I sing best when I am free; I cannot live in a palace. ”

“ The king on the throne looked at him. "Who art thou, and what dost thou here?" he asked. And though his voice was just like Robert's own, it had something in it sweet and deep, like the sound of bells.
"I am the king!" cried Robert of Sicily. "I am the king, and you are an impostor!"
The courtiers started from their seats, and drew their swords. They would have killed the crazy man who insulted their king; but he raised his hand and stopped them, and with his eyes looking into Robert's eyes he said, "Not the king; you shall be the king's jester! ”

“ The man or woman whose infancy was nourished exclusively on tales adapted from science-made-easy, or from biographies of good men and great, must remain blind to these beauties of literature. He may look up the allusion, or identify the reference, but when that is done he is but richer by a fact or two; there is no remembered thrill in it for him, no savour in his memory, no suggestion to his imagination; and these are precisely the things which really count. Leaving out the fairy element is a loss to literary culture much as would be the omission of the Bible or of Shakespeare. ”

“ I am the King of the Golden River."
Gluck did not know what to say, so he said nothing; and, indeed, the little man gave him no chance. He said, "Gluck, I have been watching you, and what I have seen of you, I like. Listen, and I will tell you something for your good. Whoever shall climb to the top of the mountain from which the Golden River falls, and shall cast into its waters three drops of holy water, for him and him only shall its waters turn to gold. But no one can succeed except at the first trial, and anyone who casts unholy water in the river will be turned into a black stone." ”

“ As she said the words, a great gray man stood before her; he was wrapped in a strange gray cloak that covered him from head to foot; and he smiled at Elsa. "What is the matter, dear?" he said. "Why do you cry?"
"Oh, I am crying because I do not know how to keep the house," said Elsa. "I cannot make bread, I cannot sweep, I cannot sew a seam; when I was a little girl I never learned to work, and now I cannot do anything right. I wish I had ten good fairies to help me!" ”

“ The great hall was filled with lights and flowers; the tables were set with everything that is delicate and rich to eat; the courtiers, in their gay clothes, were laughing and talking; and at the head of the feast, on the king's own throne, sat a king. His face, his figure, his voice were exactly like Robert of Sicily; no human being could have told the difference; no one dreamed that he was not the king. He was dressed in the king's royal robes, he wore the royal crown, and on his hand was the king's own ring. ”

“ There was a time when story-telling was the chiefest of the arts of entertainment; kings and warriors could ask for nothing better; serfs and children were satisfied with nothing less. In all times there have been occasional revivals of this pastime, and in no time has the art died out in the simple human realms of which mothers are queens. But perhaps never, since the really old days, has story-telling so nearly reached a recognised level of dignity as a legitimate and general art of entertainment as now. ”

“ The great harp recognized its master's voice, and leaped from the wall. Whirling through the hall, sweeping aside and killing the men who got in its way, it sprang to its master's hand. And the Dagda took his harp and swept his hand across the strings in three great, solemn chords. The harp answered with the magic Music of Tears. As the wailing harmony smote upon the air, the women of the Fomorians bowed their heads and wept bitterly, the strong men turned their faces aside, and the little children sobbed. ”

“ The prince turned and kicked the little creature. At the instant, he felt a sharp prick in his little finger, like a pin prick.
"What nonsense!" said the prince to himself. "Am I not king of the whole land? May I not kick my own dog, if I choose? What evil is there in that?"
A silver voice spoke in his ear: "The king of the land has a right to do good, but not evil; you have been guilty of bad temper and of cruelty to-day; see that you do better to-morrow."
The prince turned sharply, but no one was to be seen; yet he recognised the voice as that of Fairy Candide. ”

“ True vividness is lent by a background of picture realised by the listener beyond what you tell him. Children see, as a rule, no image you do not see; they see most clearly what you see most largely. Draw, then, from a full well, not from a supply so low that the pumps wheeze at every pull.
Dramatic power of the reasonably quiet and suggestive type demanded for telling a story will come pretty surely in the train of effort along these lines; it follows the clear concept and sincerity in imparting it, and is a natural consequence of the visualising imagination. ”

“ As he looked up from his prayer, a white-robed angel stood in the path before him. The hermit bowed before the messenger with great gladness, for he knew that his wish was answered. "Go to the nearest town," the angel said, "and there, in the public square, you will find a mountebank (a clown) making the people laugh for money. He is the man you seek, his soul has grown to the selfsame stature as your own; his treasure on the celestial shore is neither less than yours nor more."
When the angel had faded from sight, the hermit bowed his head again, but this time with great sorrow and fear. ”

“ It was too much for Margery. She ran to the house and found her father. Her little face was so anxious that he thought something unpleasant had happened. "Papa," she said, all out of breath, "do you think we could have made a mistake about my garden? Do you think we could have put radishes in all the rows?"
Father laughed. "What makes you think such a thing?" he asked.
"Papa," said Margery, "the little leaves all look exactly alike! every plant has just two tiny leaves on it, and shaped the same; they are roundish, and grow out of the stem at the same place." ”

“ She is the natural, own great-grandmother of every child in the world, and her pocketfuls of treasures are his by right of inheritance. Shut her out, and you truly rob the children of something which is theirs; something marking their constant kinship with the race-children of the past, and adapted to their needs as it was to those of the generation of long ago! If there were no other criterion at all, it would be enough that the children love the fairy tale; we give them fairy stories, first, because they like them. ”

“ David looked to see what the trouble was, and he saw a strange sight: on the hillside of the Philistines, a warrior was striding forward, calling out something in a taunting voice; he was a gigantic man, the largest David had ever seen, and he was all dressed in armor, that shone in the sun: he had a helmet of brass upon his head, and he was armed with a coat of mail, and he had greaves of brass upon his legs, and a target of brass between his shoulders; his spear was so tremendous that the staff of it was like a weaver's beam, and his shield so great that a man went before him, to carry it. ”

“ A long, long time ago, as long ago as when there were fairies, there lived an emperor in China, who had a most beautiful palace, all made of crystal. Outside the palace was the loveliest garden in the whole world, and farther away was a forest where the trees were taller than any other trees in the world, and farther away, still, was a deep wood. And in this wood lived a little Nightingale. The Nightingale sang so beautifully that everybody who heard her remembered her song better than anything else that he heard or saw. ”

“ A story is a work of art. Its greatest use to the child is in the everlasting appeal of beauty by which the soul of man is constantly pricked to new hungers, quickened to new perceptions, and so given desire to grow.
The obvious practical bearing of this is that story-telling is first of all an art of entertainment; like the stage, its immediate purpose is the pleasure of the hearer,—his pleasure, not his instruction, first.
Now the story-teller who has given the listening children such pleasure as I mean may or may not have added a fact to the content of their minds ”