The British Quarterly Review

Biographical details

The British Quarterly Review,  Works by Mrs. Oliphant (1869)

“ We are, therefore, ready to maintain, at the point of the critical pen, that novels are necessary: that a good novel is a good thing: that a poor novel is better than the dressing up, gala-fashion, of old iniquities: and that the veriest failure of a novel is less vexatious than a bad biography, or than any history that pretends to be true, and falls short of its subject. Our own preference inclines to the sunshiny view of life in fiction, though we do not object to tragedy now and then, nor even to a chapter from the dark side of morals, if it be painted with a firm, stern touch. ”
Source: Wikisource

The British Quarterly Review,  Works by Mrs. Oliphant (1869)

“ Oliphant's clerical portraits are numerous, and we allow that they are well done. Nor will we complain that there is no very pure or lofty spirit amongst them—no Curate Crawley, or Rufus Lyon. She knows her own strength best when she refrains her pen from the highest humanity. Her picture-gallery is full of every-day people—a crowd of them—but they all please us more or less from their likeness to the people we know. ”
Source: Wikisource

The British Quarterly Review,  Works by Mrs. Oliphant (1869)

“ She makes us smile often, but she very rarely moves us to tears, either by her pathos or her tragedy, for she encumbers both with too many words. She describes everything with precision, and by the time we have done with the piled-up anguish, we are too familiar with it, and too weary for sympathy. This is a fault, but when an artist gives us such fair pictures of middle-class life, in fair flowing English, we are more than contented, though they may not bear the sign-manual of genius. ”
Source: Wikisource

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