The British Quarterly Review

Summary

The British Quarterly Review Works by Mrs. Oliphant (1869)

We are, therefore, ready to maintain, at the point of the critical pen, that novels are necessary: that a good novel is a good thing: that a poor novel is better than the dressing up, gala-fashion, of old iniquities: and that the veriest failure of a novel is less vexatious than a bad biography, or than any history that pretends to be true, and falls short of its subject. Our own preference inclines to the sunshiny view of life in fiction, though we do not object to tragedy now and then, nor even to a chapter from the dark side of morals, if it be painted with a firm, stern touch.
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The British Quarterly Review Works by Mrs. Oliphant (1869)

Oliphant's clerical portraits are numerous, and we allow that they are well done. Nor will we complain that there is no very pure or lofty spirit amongst them—no Curate Crawley, or Rufus Lyon. She knows her own strength best when she refrains her pen from the highest humanity. Her picture-gallery is full of every-day people—a crowd of them—but they all please us more or less from their likeness to the people we know.
Source: Wikisource

The British Quarterly Review Works by Mrs. Oliphant (1869)

But this time an utterly novel and unexpected accident had befallen Miss Leonora; a man of no principles at all had delivered his opinion upon her conduct—and so far from finding his criticism contemptible, or discovering in it the ordinary outcry of the wicked against the righteous, she had found it true, and by means of it had, for perhaps the first time in her life, seen herself as others saw her....
Source: Wikisource

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