“ But in the Cove, Mawm has something altogether unique; it has, as I have said, one of the most imposing natural wonders of the land. To picture it imagine yourself first on a wide stretch of moorland, hemmed in by mountains—a grassy moor, whose surface is scarred by great terraces of fissured limestone in whose crevices the winds and the birds have dropped seeds of ferns and flowers that peep above the tops and splash the scene with colour.Imagine an impossible giant furnished with an impossible spade, standing on the edge of the moor where it begins to fall steeply down into the valley. ”
W. Riley
Biographical details
W. Riley, an author renowned for his evocative portrayals of moorland landscapes and human resilience, crafted two seminal works: Windyridge and Men of Mawm. His narratives weave together the stark beauty of natural environments with the intricacies of personal and social challenges, as seen in his vivid depictions of the moors and the introspective journeys of his characters.
Riley’s writing, distinguished by a sharp awareness of both the grandeur and severity of the natural world, reflects a profound engagement with themes of identity, failure, and redemption. Through his careful attention to setting and character, Riley offers a poignant reflection on the relationship between human existence and the enduring, often unyielding, landscapes that shape it.
Quotes by W. Riley
“ The squire had known the moors always. To him the scene speaks of home. I do not think the actual beauty of it impresses him greatly, perhaps because of its extreme familiarity, and it does not arouse in him the same sensation of pleasure or appeal to his artistic sense in the same degree as the grander scenery he has so lately left behind. But this contents him as nothing else does or could! It is as when one exchanges the gilded chairs of state for the old, familiar arm-chair which would appear shabby to some people, or the dress shoes of ceremony for the homely slippers on the hearth. ”
“ No man from his well-padded seat in the theatre ever watched the play with keener enjoyment than Maniwel this entertainment of Nature’s providing, though his chair was the hard stone parapet of the bridge beside his cottage. All through the day his soul had responded to the call of spring, to the warm grasp of the sun. The somewhat melancholy chanting of the moor birds had quickened his pulse; had stirred up memories of youth and youth’s ambitions; and he had discussed the future with Jagger in a spirit of breezy optimism that had fired the younger man. ”
