“ But in fact these were not kept distinctly apart from the miracle-plays, or miracles, which are strictly speaking concerned with the legends of the saints of the church; and in England the name mysteries was not in use. Of these species the miracles must more especially have been fed from the resources of the monastic literary drama. Thirdly, the moralities, or moral-plays, teach and illustrate the same truths—not, however, by direct representation of scriptural or legendary events and personages, but allegorically, their characters being personified virtues or qualities. ”

“ The local saints of Provence were in their turn honoured by miracles dating from the 15th and 16th centuries.
It is less easy to trace the origins of the comic medieval drama in France, connected as they are with an extraordinary variety of associations for professional, pious and pleasurable purposes. The ludi inhonesti in which the students of a Paris college (Navarre) were in 1315 debarred from engaging cannot be proved to have been dramatic performances; the earliest known secular plays presented by university students in France were moralities, performed in 1426 and 1431. ”

“ Coming now to the English religious drama, we find that from its extant literature a fair general idea may be derived of the character of these medieval productions. The miracle-plays, miracles or plays (these being the terms used in England) of which we hear in London in the 12th Religious drama in England.century were probably written in Latin and acted by ecclesiastics; but already in the following century mention is made—in the way of prohibition—of plays acted by professional players. (Isolated moralities of the 12th century are not to be regarded as popular productions.) ”

“ Long before this development of an artificial species had been consummated—from the beginning of the 14th century onwards—the famous fraternity or professional union of the Basoche (clerks of the Parlement and the Châtelet) had been entrusted with the conduct of popular festivals at Paris, in which, as of right, they took a prominent personal share; and from a date unknown they had performed plays. ”

“ Other festivals besides Christmas were celebrated by plays; but down to the Reformation Easter enjoyed a preference. In the same century miracle-plays began to be performed, in honour of St Catherine, St Dorothea and other saints. But all these productions seem to belong to a period when the drama was still under ecclesiastical control. Gradually, as the liturgical drama returned to the simpler forms from which it had so surprisingly expanded, and ultimately died out, the religious plays performed outside the churches expanded more freely ”

“ The productions of the medieval religious drama it is usual technically to divide into three classes. The mysteries proper deal with scriptural events only, their purpose being to set forth, with the aid of the prophetic or preparatory history of the Old Testament, and more especially of Mysteries, miracles, and morals distinguished.the fulfilling events of the New, the central mystery of the Redemption of the world, as accomplished by the Nativity, the Passion and the Resurrection. ”

“ They were to be recognized in the improvised farces performed at the courts, in the churches (farse spirituali) , and among the people; the Roman carnival had preserved its wagon-plays, and various links remained to connect the modern comic drama of the Italians with the Atellanes and mimes of their ancestors. But the more notable later comic developments, which belong to the 16th century, will be more appropriately noticed below. Moralities proper had not flourished in Italy, where the love of the concrete has always been dominant in popular taste ”

“ But, while the main productivity of the writers of moralities and cognate productions—a species particularly suited to German latitudes—falls into the periods of Renaissance and Reformation, the religious drama proper survived far beyond either in Catholic Germany, and, in fact, was not suppressed in Bavaria and Tirol till the end of the 18th century. [3]
It may be added that the performance of miracle-plays is traceable in Sweden in the latter half of the 14th century ”

“ The collective mystery, so common in other Western countries, is in Italian literature represented by a single example only—a Passione di Gesù Cristo, Italy.performed at Revello in Saluzzo in the 15th century; though there are some traces of other cyclic dramas of the kind. The Italian religious plays, called figure when on Old, vangeli when on New, Testament subjects, and differing from those of northern Europe chiefly by the less degree of coarseness in their comic characters, seem largely to have sprung out of the development of the processional element in the festivals of the Church. ”

“ Lastly, as scenes and characters of a more or less trivial description were admitted even into the plays acted or superintended by the clergy, as some of these characters came to be depended on by the audiences for conventional extravagance or fun, every new Herod seeking to out-Herod his predecessor, and the devils and their chief asserting themselves as indispensable favourites, the comic element in the religious drama increased ”

“ Though allegorical figures are already to be found in the Netherlands miracles of Mary, the species of the moralities was specially cultivated during the great Burgundian period of this century by the chambers or lodges of the Rederijkers (rhetoricians) —the well-known civic associations which devoted themselves to the cultivation of learned poetry and took an active share in the festivals that formed one of the most characteristic features of the life of the Low Countries. ”

“ Their only chance of survival finally came to lie in organization under the protection of powerful nobles; but when, in the 15th century in England, companies of players issued forth from towns and villages, the profession, in so far as its members had not secured preference, saw itself threatened with ruin. ”

“ Most of the Provençal Christmas and Passion plays date from the 14th century, as well as a miracle of St Agnes. The miracles of saints were popular in all parts of France, and the diversity of local colouring naturally imparted to these productions contributed materially to the growth of the early French drama. ”

“ He was gradually blended with the domestic fool, who survived in the regular drama. There are other concrete elements in the moralities; for typical figures are often fitted with concrete names, and thus all but converted into concrete human personages. ”

“ It is impossible to condense into a few sentences the extremely varied history of the processes of transformation undergone by the medieval drama in Europe during the two centuries—from about 1200 to about 1400—in which it ran a course of its own, and during the succeeding period, Progress of the medieval drama in Europe.in which it was only partially affected by the influence of the Renaissance. ”

“ Though there is no proof that the extant series were composed by the Grey Friars, they reveal a considerable knowledge of ecclesiastical literature. For the rest, they are far more effectively written than the Chester Plays, and occasionally rise to real dramatic force. In the Coventry series there is already to be observed an element of abstract figures, which connects them with a different species of the medieval drama. ”

“ Such, in barest outline, was the progress of dramatic entertainments in the principal countries of Europe, before the revival of classical studies brought about a return to the examples of the classical drama, or before this return had distinctly asserted itself. It must not, however, be forgotten Pageants.that from an early period in England as elsewhere had flourished a species of entertainments, not properly speaking dramatic, but largely contributing to form and foster a taste for dramatic spectacles. ”

“ It is necessary to bear this in Moralities.mind, in order to understand what to us seems so strange, the popularity of the moral-plays, which indeed never equalled that of the miracles, but sufficed to maintain the former species till it received a fresh impulse from the connexion established between it and the “new learning,” together with the new political and religious ideas and questions, of the Reformation age. ”

“ Miracles were less dependent on this connexion with the church services than mysteries proper; and lay associations, gilds, and schools in particular, soon began to act plays in honour of their patron saints in or near their own halls. ”

“ They began first at the abbey gates, and when the first pageant was played, it was wheeled to the high cross before the mayor, and so to every street, and so every street had a pageant playing before them at one time till all the pageants appointed for the day were played; and when one pageant was near ended, word was brought from street to street, that so they might come in place thereof, exceedingly orderly, and all the streets have their pageants afore them all at one time playing together ”