Summary

A. L. O. E. Idols in the Heart: A Tale

Louisa had sufficient intelligence to see the difference of character between Clemence and her aunt. She could neither love nor trust Lady Selina, as she could the pure-minded and unselfish woman whom her father had chosen as his wife. But if Mrs. Effingham stood in the mind of Louisa as the emblem and the representative of quiet piety, her aunt, on the other hand, seemed that of the world and all its tempting delights. Lady Selina would doubtless remain in London; to stay with her was to partake of its pleasures, to enjoy its dazzling scenes,—to dance, to shine, to see and to be seen.
Source: Gutenberg

A. L. O. E. Idols in the Heart: A Tale

The face of Clemence can never lose its charm, for it wears the beauty of holiness,—that beauty which time has no power to wither, and eternity itself can but perfect. Grace is at her mother’s side, a bright and blooming girl, whose type may be found in the fragrant blush-rose which she has culled in passing from the spray.
But whose is the drooping form, clad in widow’s attire, which Mr. Effingham supports with the gentle tenderness of compassion? It is a bruised reed, a withered blossom,—one over which the harrow has passed—one which the rude foot has trodden down.
Source: Gutenberg

A. L. O. E. Idols in the Heart: A Tale

Is it not wondrous promotion to be sole servant to such a lady as Mrs. Effingham,—to take the place of so many footmen dressed more dashingly than militia officers,—a housekeeper who, as she has heard, looks much grander than Mrs. Gray—and a bevy of fine London maids! And a whole sovereign every quarter! is not that wealth to one who has never touched a gold piece in her life? Can any service be more delightful than that of sweet, gentle “Miss Clemence,” who has always a kind word for every one, and never willingly gives trouble or pain!
Source: Gutenberg

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