Summary

Portrait of Albert Bigelow Paine Albert Bigelow Paine The Bread Line: A Story of a Paper

If I was dazzled for a time by the fair colors in the sky,—if I seized your hand, and with you and Barry and Perny and Van and the Colonel went racing down the wet meadows for the pot of gold,—it does not mean that I am any the less glad to wake up now and find that life is something better than all that; that true life lies in doing conscientiously whatever we can do best; that such dreams only serve to make our best work better, and that still better than all of these is youth and love—our youth, True, and our love for each other.
Source: Gutenberg

Portrait of Albert Bigelow Paine Albert Bigelow Paine The Bread Line: A Story of a Paper

The line that began on Tenth Street had made the turn on Broadway and reached almost to Grace Church when they arrived. The men stood motionless, huddled back into their scanty collars, their heads bent forward to shield their faces from the sharp, flying ice. Strong electric light shone on them. The driving sleet grew on their hats and shoulders. Those who had just arrived found it even colder standing still. Van Dorn's teeth were rattling.
"Do you suppose there's always enough to go round?" he asked of Perner, who stood ahead of him.
Source: Gutenberg

Portrait of Albert Bigelow Paine Albert Bigelow Paine The Bread Line: A Story of a Paper

Frisby used it, and with the sanction of the Rev. Montague Banks, it must be all right. But you know also, True, that it isn't for money or luxury that I care,—I have had plenty of such things,—and it is just for your own dear, trusting self, and your aims and triumphs, that I love you.
"Your bohemian life there with Perny and Van has always seemed so delightful to me. You are all such good friends, and it must be beautiful to do your work together, and then go out and see the different phases of living and dying, and the struggle of existence, without the cares and worries of business.
Source: Gutenberg

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