Summary

Portrait of Alexandre Dumas Alexandre Dumas The Countess of Saint Geran

Be at your ease.”
“Ah!” cried the marquis, “you have earned my everlasting gratitude! But,” continued he, “if we could anticipate the confinement itself, and remove from henceforth the symptoms of pregnancy?”
“Oh, sir, that is a great crime you speak of!”
“Alas!” continued the marquis, as if speaking to himself in a fit of intense grief; “I had rather lose a dear child, the pledge of our love, than bring into the world an unhappy creature which might possibly cause its mother’s death.”
“I pray you, sir, let no more be said on the subject; it is a horrible crime even to think of such a thing.”
Source: Gutenberg

Portrait of Alexandre Dumas Alexandre Dumas The Countess of Saint Geran

Every day she saw the marquis, who did all he could to increase her regret, and incessantly stirred up her ill-humour by repeating that the count and countess were triumphing over her misfortune, and insinuating that they were importing a supposititious child to disinherit her. As usual both in private and political affairs, he began by corrupting the marchioness’s religious views, to pervert her into crime. The marquis was one of those libertines so rare at that time, a period less unhappy than is generally believed, who made science dependent upon, atheism.
Source: Gutenberg

Portrait of Alexandre Dumas Alexandre Dumas The Countess of Saint Geran

The child, exhibited in the presence of a legal commissary to the nurses and witnesses of Torcy, was identified, as much by the scars left by the midwife’s nails on his head, as by his fair hair and blue eyes. This ineffaceable vestige of the woman’s cruelty was the principal proof; the witnesses testified that la Pigoreau, when she visited this child with a man who appeared to be of condition, always asserted that he was the son of a great nobleman who had been entrusted to her care, and that she hoped he would make her fortune and that of those who had reared him.
Source: Gutenberg

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