Alfred John Church

Alfred John Church

Summary

Portrait of Alfred John Church Alfred John Church,  Henry the Fifth

“ Henry himself commanded in the centre, a conspicuous object to all eyes. He was not one of the kings who went into a battle disguised. There was doubtless a personal taste for splendour and ornament shown in his dress and accoutrements; but he was also impressed with the belief that a king must be, and show himself to be, the foremost fighter as well as the leader of his army. He wore a surcoat which with its gay blazonry set forth his claim to the double throne, showing as it did the lilies of France and the leopards of England. His helmet was circled with a rich crown of gold. ”
Source: Gutenberg

Portrait of Alfred John Church Alfred John Church,  Henry the Fifth

“ Nothing could be more unlike the real Iliad than the polished epigrammatic rhetoric of Pope’s version, yet it is so masterly a work, so splendid in style, so magnificent in versification that it is the despair of the most scholarly and the most faithful translators; whatever the learned may say, the world still reads “Pope’s Homer.” So the world will always think of Henry in his youth as the Prince Hal who spoils Falstaff of his ill-gotten booty at Gadshill, laughs at him and with him over his cups in Eastcheap, and soliloquises over his prostrate bulk at Shrewsbury. ”
Source: Gutenberg

Portrait of Alfred John Church Alfred John Church,  Henry the Fifth

“ Of Henry’s qualities as a military leader it is impossible to speak too highly. The one possible exception where he may be thought to have failed, not indeed in skill, but in prudence, was the march from Harfleur to Calais. Yet it was a piece of calculated audacity abundantly justified by the result. To have gone back from Harfleur with nothing to show for a wasted army but a single seaport, would have discredited him both at home and abroad. He had to make an impressive display of his superiority if he was to be accepted as the future conqueror of France. ”
Source: Gutenberg

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