Allen Anders Seipt

Summary

Allen Anders Seipt Schwenkfelder Hymnology (1909)

It has been the writer's good fortune to unearth a number of important collections of hymns in manuscript and it is not unlikely that others exist which will yet be discovered. We should, therefore, not lose sight of the fact that the great mass of transcriptions—of hymns, of sermons, of historical matter and of other literature—produced by the Schwenkfelders in America represents the survival of the laborious work of transcribing which originated in Europe more than two hundred years before, when printers were forbidden to do press-work for the Schwenkfelders.
Source: Wikisource

Allen Anders Seipt Schwenkfelder Hymnology (1909)

Schwenkfeld himself seems to have written but little verse. Of course he recognized the irresistible power of congregational singing as an agency in the establishment of the Reformation cause, and was looking on with the warmest approval as all Germany, awakened by the song of "the nightingale of Wittenberg" began to sing itself into Protestantism. It was he who, in 1534, requested Katharina Zell to publish a new edition of the first German hymn-book of the Bohemian Brethren. [17] True, it is possible that some hymns of his may have been suppressed along with other literature from his pen.
Source: Wikisource

Allen Anders Seipt Schwenkfelder Hymnology (1909)

Johann Horn, a Moravian, who wrote many hymns, both in Bohemian and in German, issued at Nürnberg (1544) a revised edition of the hymns of Michael Weiss, enlarged by the addition of a number of hymns of his own authorship. The other early German hymn-books of the Moravians were the editions of 1566, 1606, 1639 and 1661, together with their reprints. With all these Caspar Weiss was thoroughly familiar; for he spared no zeal in scrutinizing the text of each hymn before admitting it to his collection, that the finished work might contain nothing that was not in accord with Holy Writ.
Source: Wikisource

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