Amelia B. Edwards

Amelia B. Edwards

Summary

Portrait of Amelia B. Edwards Amelia B. Edwards A thousand miles up the Nile (1888)

It is only in approaching them, and observing how they grow with every foot of the road, that one begins to feel they are not so familiar after all.
But when at last the edge of the desert is reached, and the long sand-slope climbed, and the rocky platform gained, and the great pyramid in all its unexpected bulk and majesty towers close above one’s head, the effect is as sudden as it is overwhelming. It shuts out the sky and the horizon. It shuts out all the other pyramids. It shuts out everything but the sense of awe and wonder.
Source: Gutenberg

Portrait of Amelia B. Edwards Amelia B. Edwards A thousand miles up the Nile (1888)

Far to the northward, traversing reach after reach of shadowy palm-groves, the eye loses itself in the dim and fertile distances of the delta. To the west and south all is desert. It begins here at our feet—a rolling wilderness of valleys and slopes and rivers and seas of sand, broken here and there by abrupt ridges of rock and mounds of ruined masonry and open graves. A silver line skirts the edge of this dead world, and vanishes southward in the sun-mist that shimmers on the farthest horizon. To the left of that silver line we see the quarried cliffs of Turra, marble-white
Source: Gutenberg

Portrait of Amelia B. Edwards Amelia B. Edwards A thousand miles up the Nile (1888)

The coming back thus, after an excursion in the felucca, is one of the many pleasant things that one has to remember of the Nile. The sun has set; the after-glow has faded; the stars are coming out. Leaning back with a satisfied sense of something seen or done, one listens to the old dreamy chant of the rowers and to the ripple under the keel. The palms, meanwhile, glide past, and are seen in bronzed relief against the sky. Presently the big boat, all glittering with lights, looms up out of the dusk. A cheery voice hails from the poop. We glide under the bows.
Source: Gutenberg

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